यजूंषि त्रैष्टुभं छन्दः स्तोमं पञ्चदशं तथा बृहत् साम तथोक्थं च दक्षिणाद् असृजन् मुखात्
yajūṃṣi traiṣṭubhaṃ chandaḥ stomaṃ pañcadaśaṃ tathā bṛhat sāma tathokthaṃ ca dakṣiṇād asṛjan mukhāt
From the right side of that cosmic mouth there issued the Yajus hymns, the Triṣṭubh metre, the fifteenfold stoma, the Bṛhat Sāman, and the Uktha—thus the forms of Vedic sound and sacrificial order arose as the Supreme’s manifested speech.
Sage Parāśara (teaching Maitreya)
Speaker: Parasara
Topic: Emanation of Yajus, metres, and stomas from the Supreme source
Teaching: Cosmological
Quality: authoritative
Creation Stage: Secondary
Concept: The differentiated forms of Vedic speech (Yajus, Triṣṭubh, stomas, Sāmans) arise from the Supreme, indicating that dharma is rooted in divine order.
Vedantic Theme: Brahman
Application: Let study and ritual (or their modern equivalents: disciplined practice and ethical offering) be aligned with humility toward a higher order.
Vishishtadvaita: Śabda as a divine attribute/manifestation: the Lord communicates and sustains the world through ordered revelation while remaining its inner ruler.
Vishnu Form: Narayana
Bhakti Type: Shanta
Jagat Karana: Yes
It presents Vedic speech and sacrificial knowledge as emanations of the Supreme, implying that ritual order and sacred sound are grounded in cosmic sovereignty rather than human invention.
He frames them as structured manifestations of creation—specific chant-arrangements (stoma), major melodies (Bṛhat Sāman), and recitations (Uktha) arising as part of the universe’s lawful articulation.
Vishnu is implied as the ultimate source behind Veda and yajña, the Supreme Reality from whom cosmic speech and dharmic order proceed, supporting a strongly theistic (Vaishnava) reading of creation.