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Skanda Purana — Nagara Khanda, Shloka 32

कच्चिच्छिवालये नृत्यगीतवाद्यादिकाः क्रियाः । बलिपूजोपहारांश्च त्वं करोषि च शक्तितः

kaccicchivālaye nṛtyagītavādyādikāḥ kriyāḥ | balipūjopahārāṃśca tvaṃ karoṣi ca śaktitaḥ

Do you, to the best of your ability, perform in Śiva’s temple acts of worship such as dance, song, and instrumental music, and also make offerings—bali, pūjā, and other upahāras?

कच्चित्whether...?
कच्चित्:
Sambandha (Particle)
TypeIndeclinable
Rootकच्चित् (अव्यय)
Formप्रश्नार्थक-अव्यय (interrogative particle)
शिवालयेin the temple of Śiva
शिवालये:
Adhikarana (Locative/अधिकरण)
TypeNoun
Rootशिवालय (प्रातिपदिक)
Formपुंलिङ्ग; सप्तमी विभक्ति (Locative), एकवचन; षष्ठी-तत्पुरुष (शिवस्य आलयः)
नृत्यगीतवाद्यादिकाःsuch as dance, song, instruments, etc.
नृत्यगीतवाद्यादिकाः:
Visheshana (Adjectival)
TypeAdjective
Rootनृत्य (प्रातिपदिक) + गीत (प्रातिपदिक) + वाद्य (प्रातिपदिक) + आदिक (प्रातिपदिक)
Formस्त्रीलिङ्ग; प्रथमा विभक्ति, बहुवचन; विशेषणम् (qualifying 'क्रियाः'); समाहार/सूची-तत्पुरुष (नृत्य-गीत-वाद्य-आदि)
क्रियाःacts/ritual activities
क्रियाः:
Karma (Object/कर्म)
TypeNoun
Rootक्रिया (प्रातिपदिक)
Formस्त्रीलिङ्ग; प्रथमा विभक्ति, बहुवचन
बलिपूजोपहारान्offerings, worship, and gifts
बलिपूजोपहारान्:
Karma (Object/कर्म)
TypeNoun
Rootबलि (प्रातिपदिक) + पूजा (प्रातिपदिक) + उपहार (प्रातिपदिक)
Formपुंलिङ्ग; द्वितीया विभक्ति, बहुवचन; इतरेतर-द्वन्द्व (बलयः पूजाः उपहाराः)
and
:
Sambandha (Connector)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चय-अव्यय (conjunction)
त्वम्you
त्वम्:
Karta (Subject/कर्ता)
TypeNoun
Rootयुष्मद् (सर्वनाम-प्रातिपदिक)
Formउत्तमपुरुष-सर्वनाम; प्रथमा विभक्ति, एकवचन
करोषिyou do / perform
करोषि:
Kriya (Predicate/क्रिया)
TypeVerb
Rootकृ (धातु)
Formलट्-लकार (Present); मध्यमपुरुष, एकवचन; परस्मैपद
and
:
Sambandha (Connector)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चय-अव्यय (conjunction)
शक्तितःto the best of (your) ability
शक्तितः:
Kriya-viseshana (Adverbial)
TypeIndeclinable
Rootशक्ति (प्रातिपदिक)
Formतसिल्-प्रत्ययान्त-अव्यय (ablatival adverb); 'according to ability'

Unspecified (Nāgarakhaṇḍa Tīrthamāhātmya didactic voice)

Tirtha: Śivālaya-sevā (general)

Type: kshetra

Listener: Addressed to a ‘fortunate/noble’ woman in the ‘kaccit’ sequence

Scene: Inside a Śiva temple: liṅga on pedestal with bilva leaves; dancers in devotional posture; singers and instrumentalists (mṛdaṅga, vīṇā, cymbals); priests offering bali and upahāras; lamps and incense filling the space.

Ś
Śiva

FAQs

Temple service offered with devotion—arts, worship, and offerings—becomes a dharmic act when done sincerely within one’s capacity.

The line points generally to Śiva-temples within the tīrtha framework; it does not specify a named tīrtha in this verse.

Performing pūjā and making offerings (bali, upahāra), including devotional music/dance in Śiva’s temple.

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