शिवपुराण-प्रशंसा (Praise of the Śiva Purāṇa) / Śivapurāṇa Māhātmya
विद्येशंच तथारौद्रं वैनायकमथौमिकम् । मात्रं रुद्रै कादशकं कैलासं शतरुद्र कम्
vidyeśaṃca tathāraudraṃ vaināyakamathaumikam | mātraṃ rudrai kādaśakaṃ kailāsaṃ śatarudra kam
“(The Purāṇa contains) the Vidyeśvara Saṃhitā and likewise the Rudra Saṃhitā; also the Vaināyaka and the Aumika, the Mātra, the Rudraikādaśaka, the Kailāsa, and the Śatarudraka.”
Suta Goswami
Tattva Level: pati
Shiva Form: Rudra
Sthala Purana: A table-of-contents verse enumerating Saṃhitās/sections (Vidyeśvara, Rudra, Vaināyaka, Aumika, Mātra, Rudraikādaśaka, Kailāsa, Śatarudraka), mapping the Purāṇa’s thematic architecture.
Significance: Encourages systematic śravaṇa/adhyayana across sections: knowledge (vidyā), Rudra-bhakti, Gaṇeśa-upāsanā, praṇava doctrine, mantra phonetics (mātrā), Rudra multiplicity, Kailāsa theology, and Śatarudrīya-style expansion.
Type: rudram
This verse maps the Purāṇa’s internal divisions, indicating that Shiva’s teaching is approached through multiple lenses—worship (Vidyeśvara/Rudra), mantra (Aumika/Mātra), and contemplation of Rudra’s many manifestations (Rudraikādaśaka/Śatarudraka)—all converging on devotion to Pati (Shiva) as the liberating Lord.
By naming the Vidyeśvara and Rudra sections, the verse points to the Purāṇa’s core emphasis on Saguna Shiva worship—especially Linga-centric devotion supported by mantra and ritual disciplines—through which the devotee is led toward Shiva’s highest reality.
The mention of Aumika and Mātra implies japa and contemplation on Oṃ and sacred sound-units, practiced alongside Shaiva devotion such as Panchākṣarī-japa (“Om Namaḥ Śivāya”) and Rudra-focused worship.