Shloka 17

एतस्मिन्नन्तरे शम्भुः सुलीलो भक्तवत्सलः । सुनर्तकनटो भूत्वा मेनकासन्निधिं ययौ

etasminnantare śambhuḥ sulīlo bhaktavatsalaḥ | sunartakanaṭo bhūtvā menakāsannidhiṃ yayau

Meanwhile, Śambhu—playful in His divine līlā and tenderly devoted to His devotees—assumed the form of an excellent dancer-actor and went into the presence of Menakā.

एतस्मिन्in this
एतस्मिन्:
Adhikarana (अधिकरण/locative)
TypeNoun
Rootएतद् (सर्वनाम-प्रातिपदिक)
Formसर्वनाम; नपुंसकलिङ्ग; सप्तमी (7th), एकवचन
अन्तरेin the meantime; in the interval
अन्तरे:
Adhikarana (अधिकरण/locative)
TypeNoun
Rootअन्तर (प्रातिपदिक)
Formनपुंसकलिङ्ग; सप्तमी (7th), एकवचन; ‘अन्तरे’ = ‘in the interval/meanwhile’
शम्भुःŚambhu (Śiva)
शम्भुः:
Karta (कर्ता/subject)
TypeNoun
Rootशम्भु (प्रातिपदिक)
Formपुंलिङ्ग; प्रथमा (1st), एकवचन
सु-लीलःplayful; of charming sport
सु-लीलः:
Visheshana (विशेषण/modifier)
TypeAdjective
Rootसु (उपसर्गवत्/अव्यय) + लील (प्रातिपदिक)
Formपुंलिङ्ग; प्रथमा (1st), एकवचन; कर्मधारयः (सुन्दरा लीलाऽस्य)
भक्त-वत्सलःaffectionate to devotees
भक्त-वत्सलः:
Visheshana (विशेषण/modifier)
TypeAdjective
Rootभक्त (प्रातिपदिक) + वत्सल (प्रातिपदिक)
Formपुंलिङ्ग; प्रथमा (1st), एकवचन; तत्पुरुषः (भक्तेषु वत्सलः)
सु-नर्तक-नटःa fine dancer-actor
सु-नर्तक-नटः:
Karta (कर्ता; appositional role to Śambhu)
TypeNoun
Rootसु (उपसर्गवत्/अव्यय) + नर्तक (प्रातिपदिक) + नट (प्रातिपदिक)
Formपुंलिङ्ग; प्रथमा (1st), एकवचन; कर्मधारयः (सुन्दरः नर्तकः नटः)
भूत्वाhaving become
भूत्वा:
Purvakala-Kriya (पूर्वकाल-क्रिया)
TypeVerb
Rootभू (धातु)
Formक्त्वान्त (absolutive/gerund); अव्ययभावः; ‘having become’
मेनका-सन्निधिम्to Menakā’s presence
मेनका-सन्निधिम्:
Karma (कर्म/object; destination)
TypeNoun
Rootमेनका (प्रातिपदिक) + सन्निधि (प्रातिपदिक)
Formपुंलिङ्ग; द्वितीया (2nd), एकवचन; तत्पुरुषः (मेनकायाः सन्निधिः)
ययौwent
ययौ:
Kriya (क्रिया)
TypeVerb
Rootया (धातु)
Formलिट् (Perfect/लिट्), परस्मैपदम्; प्रथमपुरुष (3rd), एकवचन

Suta Goswami

Tattva Level: pati

Shiva Form: Naṭarāja

S
Shiva
M
Menaka

FAQs

It highlights Śiva as bhakta-vatsala—He freely adopts accessible, saguna forms through līlā to guide beings, showing that divine grace can arrive through ordinary-looking encounters.

Though the Liṅga points to the transcendent (nirguṇa) reality, this verse emphasizes the same Supreme acting as saguna—taking a visible form for devotees—affirming both modes of worship as valid in the Purāṇic vision.

Contemplate Śiva as bhakta-vatsala while repeating the Pañcākṣarī mantra “Om Namaḥ Śivāya,” remembering that His grace may appear through unexpected forms and situations.