पुष्कराद्याः पताकाश्च सौवर्णा रत्नभूषिताः । समुद्रास्तस्य चत्वारो रथकंबलिनस्स्मृताः
puṣkarādyāḥ patākāśca sauvarṇā ratnabhūṣitāḥ | samudrāstasya catvāro rathakaṃbalinassmṛtāḥ
His banners—beginning with those named Puṣkara and others—were made of gold and adorned with jewels. And the four “oceans” associated with him were said to be the coverings (kambalas) of his chariot.
Sūta Gosvāmin (narrating to the sages of Naimiṣāraṇya)
Tattva Level: pasha
Shiva Form: Rudra
The verse uses royal and cosmic imagery—golden, jewel-adorned banners and even “four oceans” as chariot coverings—to portray the vast, worldly splendor that appears in divine narratives, reminding the devotee that all grandeur ultimately rests within the higher sovereignty of Pati (Śiva) and is secondary to liberation-oriented devotion.
This is a Saguna (manifest) descriptive passage: it depicts divine majesty through visible symbols (flags, ornaments, chariot). In Shiva worship, such imagery supports bhakti by giving form to reverence, while the Linga remains the central icon that points beyond all ornamentation to Śiva as the supreme reality.
No specific ritual item is commanded here, but the takeaway is contemplative: during japa of the Panchākṣarī (Om Namaḥ Śivāya), one may visualize Śiva’s lordship eclipsing all worldly splendor, cultivating vairāgya (detachment) and steady bhakti rather than fascination with external grandeur.