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Shloka 37

शब्दब्रह्मतनुवर्णनम् — Description of the Form of Śabda-Brahman

टादिपंचाक्षरं पादास्तादिपंचाक्षरं तथा । पकार उदरं तस्य फकारः पार्श्व उच्यते

ṭādipaṃcākṣaraṃ pādāstādipaṃcākṣaraṃ tathā | pakāra udaraṃ tasya phakāraḥ pārśva ucyate

The group of five syllables beginning with “ṭa” are placed in the feet; likewise, the group of five syllables beginning with “ta” are placed there. The syllable “pa” is declared to be His belly, and the syllable “pha” is said to be His side (flank).

टादिपञ्चाक्षरम्the five syllables beginning with ṭa
टादिपञ्चाक्षरम्:
Karta (कर्ता)
TypeNoun
Rootटादि + पञ्च + अक्षर (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन; तत्पुरुष: 'टादि पञ्च अक्षरम्' (the five-syllable set beginning with ṭa)
पादाःfeet
पादाः:
Adhikaraṇa (अधिकरण)
TypeNoun
Rootपाद (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (कर्ता/अधिकरण-निर्देश), बहुवचन
तादिपञ्चाक्षरम्the five syllables beginning with ta
तादिपञ्चाक्षरम्:
Karta (कर्ता)
TypeNoun
Rootतादि + पञ्च + अक्षर (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन; तत्पुरुष: 'तादि पञ्च अक्षरम्' (the five-syllable set beginning with ta)
तथाlikewise
तथा:
Sambandha (सम्बन्ध/adverbial)
TypeIndeclinable
Rootतथा (अव्यय)
Formक्रियाविशेषण-अव्यय (adverb: likewise)
पकारःthe letter/sound pa
पकारः:
Karta (कर्ता)
TypeNoun
Rootपकार (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (कर्ता), एकवचन
उदरम्belly/abdomen
उदरम्:
Adhikaraṇa (अधिकरण)
TypeNoun
Rootउदर (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन
तस्यof him
तस्य:
Sambandha (सम्बन्ध/Genitive)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formपुं/नपुंसक, षष्ठी (सम्बन्ध), एकवचन
फकारःthe letter/sound pha
फकारः:
Karta (कर्ता)
TypeNoun
Rootफकार (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (कर्ता), एकवचन
पार्श्वम्side/flank
पार्श्वम्:
Adhikaraṇa (अधिकरण)
TypeNoun
Rootपार्श्व (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन
उच्यतेis said/is called
उच्यते:
Kriyā (क्रिया)
TypeVerb
Rootवच् (धातु)
Formलट्-लकार (Present), प्रथमपुरुष, एकवचन; कर्मणि-प्रयोग (passive)

Suta Goswami

Tattva Level: pati

Shiva Form: Tatpuruṣa

Type: kavaca

Role: nurturing

Cosmic Event: Stabilization (sthiti) motif: installing syllables in feet/abdomen suggests grounding the mantra-deity in the sādhaka’s embodied field.

S
Shiva

FAQs

It teaches mantra-śarīra-bhāvanā (visualizing the mantra as Shiva’s living form): placing syllable-groups on limbs sanctifies the practitioner’s body as a fit vessel for Shiva’s grace, aligning the finite self (paśu) toward Pati (Shiva).

Nyāsa supports saguna-upāsanā by giving the devotee a concrete, embodied way to approach Shiva—treating the mantra as Shiva’s manifested form and the worshipper’s body as a temple, complementing Linga worship and mantra-japa.

Perform kara-nyāsa/anga-nyāsa (placing designated syllables on specific limbs) before japa of Shiva-mantras; then continue with steady repetition and inner visualization of Shiva pervading the body.