Shloka 7

त्रैलोक्यामानशे तस्या ध्वनिरुत्साहकारकः । आह्वानगतिसंयुक्तो विचित्रः सांद्रशब्दकः

trailokyāmānaśe tasyā dhvanirutsāhakārakaḥ | āhvānagatisaṃyukto vicitraḥ sāṃdraśabdakaḥ

In the mind of the three worlds, her resonant sound became an awakener of zeal. Endowed with the power of invocation and onward movement, it was wondrous—deep, compact, and full-bodied in tone.

त्रैलोक्य-मानशेin the mind of the three worlds
त्रैलोक्य-मानशे:
Adhikarana (अधिकरण)
TypeNoun
Rootत्रैलोक्य-मानस (प्रातिपदिक; समास)
Formनपुंसकलिङ्ग, सप्तमी-विभक्ति (7th/Locative), एकवचन; अधिकरणार्थ
तस्याःof that (ḍhakkā/sound)
तस्याः:
Sambandha (सम्बन्ध/षष्ठी)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formसर्वनाम; स्त्रीलिङ्ग, षष्ठी-विभक्ति, एकवचन
ध्वनिःsound; resonance
ध्वनिः:
Karta (कर्ता)
TypeNoun
Rootध्वनि (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, एकवचन
उत्साहकारकःproducing enthusiasm
उत्साहकारकः:
Karta (कर्ता)
TypeAdjective
Rootउत्साह-कारक (प्रातिपदिक; समास)
Formपुंलिङ्ग, प्रथमा-विभक्ति, एकवचन; विशेषण (ध्वनिः)
आह्वान-गति-संयुक्तःconnected with a call and movement
आह्वान-गति-संयुक्तः:
Karta (कर्ता)
TypeAdjective
Rootआह्वान-गति-संयुक्त (प्रातिपदिक; समास)
Formपुंलिङ्ग, प्रथमा-विभक्ति, एकवचन; विशेषण (ध्वनिः)
विचित्रःvariegated; wondrous
विचित्रः:
Karta (कर्ता)
TypeAdjective
Rootविचित्र (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, एकवचन; विशेषण (ध्वनिः)
सांद्रशब्दकःdense/deep-sounding
सांद्रशब्दकः:
Karta (कर्ता)
TypeAdjective
Rootसांद्र-शब्दक (प्रातिपदिक; समास)
Formपुंलिङ्ग, प्रथमा-विभक्ति, एकवचन; विशेषण (ध्वनिः)

Suta Goswami

Tattva Level: pati

Shiva Form: Rudra

Role: teaching

FAQs

The verse highlights nāda (sacred resonance) as a force that stirs the collective consciousness of the three worlds—awakening fervor and directing attention toward the Divine. In a Shaiva Siddhanta lens, such sound supports the soul’s turning from pasha-bound inertia toward Shiva-oriented awareness.

Saguna worship often begins with perceivable supports—sound, mantra, and ritual invocation. This verse frames sound as an ‘invoking’ power (āhvāna) that gathers the mind and propels it toward Shiva, much like mantra-japa and temple resonance (bells, chants) center the devotee on the Linga as a living focus of grace.

A practical takeaway is mantra-japa with attentive listening to inner and outer resonance—especially the Panchakshara (Om Namaḥ Śivāya)—allowing the sound to become ‘dense and steady’ (sāndra) so it generates uplift (utsāha) and focused inward movement (gati).