संध्याचरित्रवर्णनम् (Sandhyā-caritra-varṇana) — “Account of Sandhyā’s Story”
समर्यादेषु मर्यादां तपसा स्थापयिष्यति । तपः कर्तुं गता साध्वी चन्द्रभागाख्यभूधरे
samaryādeṣu maryādāṃ tapasā sthāpayiṣyati | tapaḥ kartuṃ gatā sādhvī candrabhāgākhyabhūdhare
To uphold the sacred order among those who honor propriety, the virtuous Satī resolved to establish the rightful bounds through austerity; and to perform tapas she went to the mountain called Chandrabhāgā.
Suta Goswami (narrating to the sages at Naimiṣāraṇya)
Tattva Level: pashu
Shiva Form: Dakṣiṇāmūrti
Sthala Purana: The verse locates Satī’s tapas at a mountain named Candrabhāgā; later Śaiva sthala traditions sometimes connect Candrabhāgā with sacred river-sites, but this passage itself does not identify a Jyotirliṅga.
Significance: Tapas at a tīrtha/mountain is framed as restoring maryādā (sacred order), a merit-bearing act that ripens the aspirant toward Śiva’s grace.
Shakti Form: Satī
Role: teaching
It presents tapas as a dharmic power that restores maryādā (right order) and aligns the devotee’s will with Shiva—showing that disciplined austerity can re-establish spiritual and moral boundaries in the world.
Satī’s movement toward tapas reflects the Shaiva path where devotion and self-restraint purify the seeker for communion with Saguna Shiva (the personal Lord), often expressed in Purāṇic practice through focused worship and vow-observance.
The takeaway is disciplined tapas: undertaking a vow, maintaining purity and restraint, and steady japa/meditation on Shiva—classically supported by practices like bhasma (Tripuṇḍra) and the Panchākṣarī mantra (Om Namaḥ Śivāya) where appropriate.