दुर्गोपवीत-रचना तथा शिवामलङ्कारोत्सवः | The Making of the Durgopavīta and Pārvatī’s Auspicious Adornment Festival
तत्रोपविष्टो गर्गश्च यत्रास्ति घटिकालयम् । यावच्छेषा घटी तावत्कृतम्प्रणवभाषणम्
tatropaviṣṭo gargaśca yatrāsti ghaṭikālayam | yāvaccheṣā ghaṭī tāvatkṛtampraṇavabhāṣaṇam
There, the sage Garga sat down at the place where a water-clock was kept. For as long as one ghaṭī remained, he continued the utterance of the Praṇava (Om).
Suta Goswami
Tattva Level: pati
Shiva Form: Sadāśiva
Sthala Purana: The scene is a vivāha-ritual setting where time is measured by ghaṭikā (water-clock) and Praṇava is recited to sanctify the liminal interval before the rite; not a Jyotirliṅga episode.
Significance: Praṇava-japa at auspicious junctions (lagna, saṅdhi) is held to purify the rite and steady the mind; hearing this encourages disciplined mantra practice aligned with kāla (sacred time).
Mantra: oṃ (praṇava)
Type: gayatri
Role: teaching
It highlights disciplined mantra-sādhana: the sage measures time and sustains Praṇava-japa, showing that steady, attentive repetition of Om purifies the mind and turns it toward Pati (Śiva) as the inner Lord.
Praṇava (Om) is used as a seed-sound leading the devotee from outward worship (including Liṅga-pūjā) into inward contemplation; it supports Saguna devotion while pointing to Śiva’s transcendent presence beyond form.
A practical takeaway is time-bound japa: sit in a fixed place, set a clear duration (traditionally a ghaṭī), and recite Om with focused awareness—an approach compatible with Shaiva mantra practice alongside pūjā, bhasma, or rudrākṣa observances.