दुर्गोपवीत-रचना तथा शिवामलङ्कारोत्सवः | The Making of the Durgopavīta and Pārvatī’s Auspicious Adornment Festival
अन्तर्वेद्यां महाप्रीत्या सम्प्रविश्य हिमाद्रिणा । यत्र सा पार्वती कन्या सर्वाभरणभूषिता
antarvedyāṃ mahāprītyā sampraviśya himādriṇā | yatra sā pārvatī kanyā sarvābharaṇabhūṣitā
With great joy, Himālaya entered the inner sacrificial enclosure, where the maiden Pārvatī stood, adorned with every ornament.
Sūta Gosvāmin
Tattva Level: pashu
Shiva Form: Umāpati
The verse highlights auspicious readiness and inner sanctity: the “inner enclosure” suggests inward purification, while Pārvatī’s adornment symbolizes perfected devotion (bhakti) and divine fitness to unite with Śiva, the supreme Pati.
Though the Liṅga is not named here, the scene belongs to the Saguna narrative where devotion is expressed through sacred space, purity, and auspicious signs—mirroring how devotees approach Śiva in temple and Liṅga worship with reverence, cleanliness, and offerings.
It suggests entering worship with inner-and-outer purity: prepare a clean sacred space, mentally “enter the inner vedi” through concentration, and worship Śiva with bhakti—optionally supported by japa of the Pañcākṣarī (Om Namaḥ Śivāya) and traditional Shaiva marks like bhasma (Tripuṇḍra).