Śiva-nāma-sahasraka-kathana
The Recital/Teaching of the Thousand Names of Śiva
धातृधामा धामकरः सर्वगः सर्वगोचरः । ब्रह्मसृग्विश्वसृक्सर्गः कर्णिकारः प्रियः कविः
dhātṛdhāmā dhāmakaraḥ sarvagaḥ sarvagocaraḥ | brahmasṛgviśvasṛksargaḥ karṇikāraḥ priyaḥ kaviḥ
He is the abode of the Sustainer and the very maker of all splendor; all-pervading, and yet accessible to all. He brings forth Brahmā, brings forth the universe and its unfolding creation; He is the radiant Karṇikāra, the Beloved, and the divine Sage-poet.
Suta Goswami (narrating Shiva’s epithets to the sages at Naimisharanya in the Purana style)
Tattva Level: pati
Shiva Form: Sadāśiva
The verse presents Shiva as both transcendent and immanent: the source of cosmic creation (including Brahmā and the sarga) and also “sarvagocara,” directly approachable in devotion and inner realization—aligning with Shaiva Siddhanta where Pati (Shiva) grants grace leading to liberation.
These epithets support Saguna worship: devotees approach Shiva through name, form, and symbol (especially the Linga), while remembering that the same Lord is all-pervading (sarvaga) and the inner light (dhāmakara) that sanctifies Jyotirlinga pilgrimage and temple worship.
A practical takeaway is nāma-japa and dhyāna: chant “Om Namaḥ Śivāya” or Shiva’s names while contemplating Him as the indwelling light (dhāmakara) present everywhere (sarvaga), offering the fruits of action to Him as the Lord of creation (sarga).