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Shloka 54

न्यासवर्णनम् (Nyāsa-varṇanam) — Description of Nyāsa in the Saṃnyāsa Procedure

शोषदाहप्लवान्कुर्याद्रेचकादि क्रमेण तु । सषोडशचतुष्षष्टिद्वात्रिंशद्गणनायुतैः

śoṣadāhaplavānkuryādrecakādi krameṇa tu | saṣoḍaśacatuṣṣaṣṭidvātriṃśadgaṇanāyutaiḥ

Then, following the proper sequence beginning with recaka (exhalation), one should perform the three inner operations—śoṣa (drying), dāha (heating/burning), and plāva (flooding/immersion)—in measured counts of sixteen, sixty-four, and thirty-two repetitions.

शोष-दाह-प्लवान्drying, burning, and floating (effects)
शोष-दाह-प्लवान्:
Karma (कर्म)
TypeNoun
Rootशोष (प्रातिपदिक) + दाह (प्रातिपदिक) + प्लव (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया-विभक्ति (Accusative), बहुवचनस्य अर्थे एकवचनरूपम् (collective); समासः—द्वन्द्वः (शोषश्च दाहश्च प्लवश्च)
कुर्यात्should do/perform
कुर्यात्:
Kriya (क्रिया)
TypeVerb
Root√कृ (धातु)
Formविधिलिङ् (Optative), प्रथमपुरुष (3rd person), एकवचन; परस्मैपद
रेचक-आदिstarting with recaka (exhalation) etc.
रेचक-आदि:
Kriya-visheshana (क्रियाविशेषण)
TypeNoun
Rootरेचक (प्रातिपदिक) + आदि (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया एकवचन (indeclinable-like usage as ‘etc.’); समासः—तत्पुरुषः (रेचकः आदिः यस्य)
क्रमेणin order, sequentially
क्रमेण:
Kriya-visheshana (क्रियाविशेषण)
TypeIndeclinable
Rootक्रम (प्रातिपदिक)
Formतृतीया-विभक्त्यन्तं क्रियाविशेषणवत् (Instrumental used adverbially); पुंलिङ्ग, तृतीया, एकवचन
तुindeed/but
तु:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootतु (अव्यय)
Formअव्यय; अवधारण/विरोधार्थक (but/indeed)
स-षोडश-चतुः-षष्टि-द्वात्रिंशत्-गणना-युतैःwith counts of 16, 64, and 32 (as prescribed)
स-षोडश-चतुः-षष्टि-द्वात्रिंशत्-गणना-युतैः:
Karana (करण)
TypeIndeclinable
Rootस (अव्यय) + षोडश (प्रातिपदिक) + चतुः (प्रातिपदिक) + षष्टि (प्रातिपदिक) + द्वात्रिंशत् (प्रातिपदिक) + गणना (प्रातिपदिक) + युत (कृदन्त-प्रातिपदिक)
Formतृतीया-विभक्ति (Instrumental), बहुवचन; समासबहुलः संख्याविशेषणसमूहः; ‘स’ = सह (with) अव्यय; युतैः = युत (युक्त) तृतीया बहुवचन

Lord Shiva

Tattva Level: pashu

Shiva Form: Dakṣiṇāmūrti

Role: teaching

S
Shiva

FAQs

It prescribes a Shaiva yogic purification: by regulated breath and inner processes (drying, burning, and flooding), the aspirant refines the pasha-bound tendencies and steadies awareness toward Pati (Shiva), supporting liberation-oriented meditation.

In Shaiva Siddhanta, disciplined yoga complements Saguna worship: pranayama and inner purification make the mind fit for Linga-dhyana and mantra-japa, allowing devotion to mature into steady contemplation of Shiva.

A pranayama-based meditation: proceed in order starting with recaka (exhalation), applying the inner practices of śoṣa, dāha, and plāva with counted repetitions (16/64/32), as a regulated method of purification and concentration.