एवन्दक्षिणमारभ्य कुर्यात्सोमान्तमीश्वरि । तद्बाह्यपंक्तौ पूर्वादिमध्यमान्तं विचित्रयेत्
evandakṣiṇamārabhya kuryātsomāntamīśvari | tadbāhyapaṃktau pūrvādimadhyamāntaṃ vicitrayet
“Thus, O Goddess, beginning from the southern side one should arrange it up to the end marked by Soma (the Moon). In its outer row, one should design it in an ordered sequence—starting from the eastern part, through the middle, and up to the end—making the arrangement beautifully distinct.”
Lord Shiva
Tattva Level: pasha
Shiva Form: Dakṣiṇāmūrti
Sthala Purana: Not a Jyotirliṅga episode; the verse gives directional/sequence instructions for a ritual diagram/arrangement addressed to the Goddess, typical of Āgama-style procedural teaching embedded in Purāṇic narration.
Shakti Form: Pārvatī
Role: teaching
It emphasizes that devotion (bhakti) is strengthened by disciplined order—worship is not random, but aligned with sacred directionality and cosmic harmony, expressing reverence for Pati (Shiva) through careful, mindful arrangement.
The verse gives procedural guidance for arranging elements around the worship-space (often the Linga and its associated offerings/markings). Such ordered placement supports Saguna-upasana—approaching Shiva with form, rite, and beauty—while cultivating inner steadiness that leads toward realization.
A structured puja layout: begin from the southern side and proceed in a defined sequence up to the lunar (Soma) end, decorating the outer row from east through the middle to the end—performed with mantra-japa (e.g., Panchakshara) and focused attention.