Shloka 24

जप्त्वा प्रदक्षिणीकृत्य स्तुत्वा नत्वा मुहुर्मुहुः

japtvā pradakṣiṇīkṛtya stutvā natvā muhurmuhuḥ

Having repeated the sacred mantra, having performed circumambulation, having offered praises, and having bowed down again and again.

जप्त्वाhaving recited
जप्त्वा:
Purvakala-kriya (पूर्वकालक्रिया)
TypeVerb
Rootजप् (धातु) → जप्त्वा (कृदन्त)
Formक्त्वान्त (absolutive/gerund), अव्ययभावः; पूर्वकालिक क्रिया (having recited)
प्रदक्षिणीकृत्यhaving circumambulated
प्रदक्षिणीकृत्य:
Purvakala-kriya (पूर्वकालक्रिया)
TypeVerb
Rootप्र + दक्षिणी + कृ (धातु) → प्रदक्षिणीकृत्य (कृदन्त)
Formल्यप् (gerund), अव्ययभावः; पूर्वकालिक क्रिया (having circumambulated/kept to the right)
स्तुत्वाhaving praised
स्तुत्वा:
Purvakala-kriya (पूर्वकालक्रिया)
TypeVerb
Rootस्तु (धातु) → स्तुत्वा (कृदन्त)
Formक्त्वान्त (absolutive/gerund), अव्ययभावः; पूर्वकालिक क्रिया (having praised)
नत्वाhaving bowed
नत्वा:
Purvakala-kriya (पूर्वकालक्रिया)
TypeVerb
Rootनम् (धातु) → नत्वा (कृदन्त)
Formक्त्वान्त (absolutive/gerund), अव्ययभावः; पूर्वकालिक क्रिया (having bowed)
मुहुःagain and again
मुहुः:
Kriya-visheshana (क्रियाविशेषण)
TypeIndeclinable
Rootमुहुः (अव्यय)
Formअव्यय; पुनरावृत्तिवाचक क्रियाविशेषण (adverb: repeatedly)
मुहुःagain and again
मुहुः:
Kriya-visheshana (क्रियाविशेषण)
TypeIndeclinable
Rootमुहुः (अव्यय)
Formअव्यय; पुनरावृत्तिवाचक क्रियाविशेषण (repetition; paired usage)

Suta Goswami

Tattva Level: pashu

Significance: Describes core devotional acts (japa–pradakṣiṇā–stuti–namaskāra) that purify the bound soul (paśu) and dispose it toward Śiva’s grace.

S
Shiva

FAQs

It presents a complete bhakti-oriented worship sequence—mantra-japa, pradakṣiṇā, stuti, and repeated namaskāra—showing how the pashu (individual soul) approaches Pati (Shiva) with humility and steady devotion.

These acts are classic components of Saguna Shiva/Linga-upāsanā: reciting Shiva-mantras, circumambulating the sacred form, praising the Lord’s qualities, and bowing repeatedly—external worship that ripens into inner surrender and grace.

Mantra-japa (commonly the Panchākṣarī, “Om Namaḥ Śivāya”), pradakṣiṇā around the Linga, stotra-recitation, and repeated prostration—done with focused mind and devotional intent.