Shloka 6.124.25
पुष्पकविमान-प्रस्थानम् (The Pushpaka Vimāna Offered and the Return Prepared)
एवमुक्तस्तुरामेणराक्षसेन्द्रोविभीषणः ।विमानसूर्यसङ्काशमाजुहावत्वरान्वितः ।।6.124.23।।ततःकाञ्चनचित्राङ्गंवैदूर्यमणिवेदिकम् ।कूटागारैःपरिक्षिप्तंसर्वतोरजतप्रभम् ।।6.124.24।।पाण्डुराभिःपताकाभिर्ध्वजैश्चसमलङ्कृतम् ।शोभितंकाञ्चनैर्हर्म्यैर्हेमपद्मविभूषितैः ।।6.124.25।।प्रकीर्णंकिङ्किणीजालैर्मुक्तामणिगवाक्षकम् ।घण्टाजालैःपरिक्षिप्तंसर्वतोमधुरस्वनम् ।।6.124.26।।यन्मेरुशिखराकारंनिर्मितंविश्वकर्मणा ।बृहभिर्भूषितंहर्म्यैर्मुक्तारजतशोभितैः ।।6.124.27।।तलैस्स्फटिकचित्राङ्गैदूर्यैश्चवरासनैः ।महार्हास्तरणोपेतैरुपपन्नंमहाधनैः ।।6.124.28।।
pāṇḍurābhiḥ patākābhir dhvajaiś ca samalaṅkṛtam |
śobhitaṃ kāñcanair harmyair hemapadmavibhūṣitaiḥ ||6.124.25||
It was adorned with pale banners and flags, and it shone with golden mansions embellished with lotus-ornaments of gold.
Rama having spoken that way, Vibheeshana the king of Rakshasas, hurriedly ordered for the aerial car. The aerial car Pushpaka's parts were decorated with golden pictures, its altars were made of cat's eye gems, its squares were fixed with pillars and shone like silver. It was surrounded on all sides with yellow pennons. It had posts and flags all over, decorated with golden lotuses. The mansions in Pushpak had networks scattered with eyeholes set with pearls like windows. It had rows of bells, surrounded on all sides which had sweet sound. The Pushpak constructed by Viswakarma was huge like mountain Meru's peak and decorated with silver and pearls. Its pavements were fixed with crystals and encrusted with cat's eye gems. The seats were excellent and had rich coverings.
The verse supports the dhārmic theme that rightful sovereignty and order are restored after adharma is removed; the splendid, orderly adornment of the vimāna symbolizes harmony returning under righteous leadership.
After the war, the Puṣpaka-vimāna is being presented/assembled for Rāma; the narration describes its visible grandeur—banners, flags, and golden structures.
Indirectly, Rāma’s maryādā (rightful kingship and restraint) is foregrounded: the grandeur is not mere luxury but a sign of legitimate, dhārmic order being re-established.