मारीचवधः — The Slaying of Maricha (Golden Deer Deception)
निहत्य पृषतं चान्यं मांसमादाय राघवः।त्वरमाणो जनस्थानं ससाराभिमुखस्तदा।।।।
muhūrtād eva dadṛśe muhur dūrāt prakāśate |
darśanādarśanād evaṃ so ’pākarṣata rāghavam |
sudūram āśramasyāsya mārīco mṛgatāṃ gataḥ ||
For a moment it would be seen, and the next moment it would show itself far away. By thus appearing and disappearing, Mārīca—having assumed the form of a deer—drew Rāghava far from that hermitage.
Then Rama killed another deer, collected the venison and hastened to Janasthana.ইত্যার্ষে শ্রীমদ্রামাযণে বাল্মীকীয আদিকাব্যে অরণ্যকাণ্ডে চতুশ্চত্বারিংশস্সর্গঃ৷Thus ends the fortyfourth sarga of Aranyakanda of the holy Ramayana the first epic composed by sage Valmiki.
It highlights how adharma operates through distraction and distance—separating protectors from those they must protect. Dharma includes safeguarding duties without being lured away by illusion.
Mārīca’s deer-form strategically alternates visibility to lead Rāma far from the hermitage.
Implicitly, the need for prudence and protective responsibility (rakṣaṇa-dharma), even when confronted with enticing appearances.