Rādhā-sambaddha-mantra-vyākhyā
Rādhā-Related Mantras Explained
प्राणो रसाशक्तियुतः कामेश्वर्यक्षरं महत् । शून्यमंबुरसावह्निस्वयोगान्मोहनीमनुः ॥ २९ ॥
prāṇo rasāśaktiyutaḥ kāmeśvaryakṣaraṃ mahat | śūnyamaṃburasāvahnisvayogānmohanīmanuḥ || 29 ||
When the syllable “prāṇa” is joined with the power of “rasa” and combined with the great syllable of Kāmeśvarī, and then, by its proper junctions, conjoined with “śūnya”, “ambu”, “rasa”, “vahni”, and “sva”, it becomes the Mohanī-mantra, the formula of enchantment.
Narada (instructing in mantra-vidya within the Vedanga/technical section)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: bhakti
It presents a technical rule for forming a specific mantra (Mohanī), showing how sacred sound is treated as a precise science—where power arises from correct syllabic elements and their sanctioned combinations (yoga).
Indirectly: even when describing specialized mantra-technique, the Purana’s broader intent is disciplined practice under guidance; mantra is meant to be employed with purity and right intention, ultimately supporting steadiness of mind that can be aligned toward devotional worship.
Mantra-formation through phonetic/junction rules (akin to Śikṣā and Vyākaraṇa-style precision) and the use of coded elemental terms (like ambu, vahni) as technical markers in ritual-mantric construction.