The Description of the Four Durgā Mantras
भुक्त्यै मुक्त्यै सितां ध्यायेदुच्चाटे नीलरोचिषम् । रक्तां वश्ये मृतौ धूम्रां स्तंभने कनकप्रभाम् ॥ ३० ॥
bhuktyai muktyai sitāṃ dhyāyeduccāṭe nīlarociṣam | raktāṃ vaśye mṛtau dhūmrāṃ staṃbhane kanakaprabhām || 30 ||
For worldly enjoyment and for liberation, one should meditate on the deity in a white form. For uccāṭa (expulsion), contemplate a blue-radiant form; for vaśya (subjugation), a red form; in matters of mṛtyu (death), a smoke-hued form; and for stambhana (immobilization), a golden-lustrous form.
Sanatkumara (in instruction to Narada, within a technical/ritual-vidhi context)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: bhakti
It teaches that dhyāna (meditative visualization) is applied with precise attributes—especially color and radiance—according to the intended karma (aim), distinguishing between higher goals like mukti and pragmatic ritual aims.
While framed as a technical instruction, it underscores focused contemplation on a chosen divine form (dhyāna) as a disciplined practice; the verse contrasts worldly aims (bhukti) with the highest aim (mukti), reminding the practitioner to orient devotion toward liberation.
It reflects applied ritual-vidhi—how mantra and dhyāna are matched to specific rites (uccāṭa, vaśya, stambhana)—a technical strand aligned with auxiliary disciplines used in correct performance of Vedic/Paurāṇic rituals.