Yakṣiṇī-Mantra-Sādhana Nirūpaṇa
Lakṣmī-avatāra-vidyāḥ: Bālā, Annapūrṇā, Bagalā
बाहुना विधृते दद्याद्धनं कीर्तिं सुखं सुतान् । कामांते त्रिपुरा देवी विद्महे कविषं भहिम् ॥ ६१ ॥
bāhunā vidhṛte dadyāddhanaṃ kīrtiṃ sukhaṃ sutān | kāmāṃte tripurā devī vidmahe kaviṣaṃ bhahim || 61 ||
When upheld by the arm—meaning firmly supported in steady practice—it bestows wealth, fame, happiness, and children. At the end of desire, when craving is brought to rest, we know Tripurā Devī; we contemplate the radiant power of the kavi, the seer-poet.
Narada (within a technical/vidyā-mantra explanatory flow typical of Book 1.3)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It combines a phala-śruti (stated fruits like wealth, fame, happiness, progeny) with an inward turn: ‘kāmānte’ points to transcending desire through upāsanā, indicating that true fulfillment culminates in contemplative knowledge of the Devī.
By presenting devotion as steady support and practice (“vidhṛte”), it frames bhakti/upāsanā as both sustaining in daily life and ultimately leading beyond craving (“kāmānte”) into direct contemplative remembrance of the deity.
The verse reflects mantra-style construction and phala-śruti usage—features tied to Chandas (metered sacred speech) and Nirukta-style meaning-making—showing how technical sacred language is employed for meditation and ritual recitation.