The Classification and Explanation of Yakṣiṇī Mantras
Kālī and Tārā Vidyās
तारो माया भगं ब्रह्मा जटे सूर्यः सदीर्घकम् । यक्षाधिपतये तंद्रीसोपनीतं बलिं ततः ॥ ७६ ॥
tāro māyā bhagaṃ brahmā jaṭe sūryaḥ sadīrghakam | yakṣādhipataye taṃdrīsopanītaṃ baliṃ tataḥ || 76 ||
Then, with the mantra-words “Tāra,” “Māyā,” “Bhagaṃ,” “Brahmā,” and “Sūryaḥ” uttered in a long-drawn manner, and with the hair arranged in matted locks (jaṭā), he should thereafter present the bali-offering—brought forward with the rite, step by step—to the Lord of the Yakṣas.
Narada (teaching ritual-technical procedure in Vedanga context)
Vrata: none
Primary Rasa: vira
Secondary Rasa: bhayanaka
It emphasizes disciplined, technically correct ritual action—mantra-utterance (with proper length), bodily observance (jaṭā), and offering (bali)—directed to a specific deity-function (Yakṣādhipati), showing how precision in sacred procedure is treated as dharma.
Bhakti here is expressed as reverent service through correctly performed worship: invoking divine powers by name/mantra and offering bali with attention and purity, treating the deity as a worthy recipient of respectful devotion.
Śikṣā (phonetics) is implied by “sadīrghakam” (prolonged recitation), and Kalpa (ritual procedure) by the ordered presentation of bali to Yakṣādhipati.