Narada Purana — Purva Bhaga, Shloka 44
Hanūmaccarita
The Account of Hanumān
एवं ध्यात्वा चद्रंदीप्तिप्रकाशं ध्यानेनारोप्याशु लिंगे शिवस्य । सदाशिवं दीपमध्ये विचिंत्य पञ्चाक्षरेणार्चनमव्ययं तु ॥ ४४ ॥
evaṃ dhyātvā cadraṃdīptiprakāśaṃ dhyānenāropyāśu liṃge śivasya | sadāśivaṃ dīpamadhye viciṃtya pañcākṣareṇārcanamavyayaṃ tu || 44 ||
Having thus meditated on the radiance that shines like the moon, one should swiftly, by contemplation, place that vision upon Śiva’s liṅga. Then, envisioning Sadāśiva in the very midst of the lamp-flame, one should perform the imperishable worship using the five-syllabled mantra.
Sanatkumara (in instruction to Narada)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
FAQs
It teaches a combined method of inner visualization (dhyāna) and outer worship (arcana): the devotee installs moon-like purity and cool brilliance upon the Śiva-liṅga, then fixes awareness on Sadāśiva within the lamp-flame, making worship steady, luminous, and enduring.
Bhakti here is expressed as attentive presence: the devotee lovingly visualizes Śiva, focuses on a sacred support (liṅga and dīpa), and offers mantra-based worship through the pañcākṣarī, uniting heart, mind, and ritual action.
It reflects mantra-prayoga and ritual procedure: correct use of a fixed mantra (pañcākṣarī) with a prescribed meditation-support (lamp and liṅga), aligning practice with disciplined recitation and structured worship rather than improvised devotion.