The Description of the Worship of Rāma and Others
Rāmādi-pūjā-vidhāna
नानावस्त्रां शशिमुखीं पद्माक्षीं मुदितांतराम् । पश्यंतीं राघवं पुण्यं शय्यार्ध्यां षड्गुणेश्वरीम् ॥ १३५ ॥
nānāvastrāṃ śaśimukhīṃ padmākṣīṃ muditāṃtarām | paśyaṃtīṃ rāghavaṃ puṇyaṃ śayyārdhyāṃ ṣaḍguṇeśvarīm || 135 ||
Clad in many garments, moon-faced and lotus-eyed, inwardly delighted, she gazed upon the holy Rāghava. Worthy of the royal couch, she was the sovereign Lady endowed with the six excellences.
Narada (narrating to the Sanatkumara brothers)
Vrata: none
Primary Rasa: shringara
Secondary Rasa: bhakti
The verse presents an auspicious, devotional gaze upon Rāghava (Rāma), portraying sacred beauty and inner joy as signs of dharmic alignment and благоприятность (puṇya/śubha) in a Purāṇic narrative.
Bhakti is implied through focused darśana—steadily “gazing upon” Rāghava with a delighted heart—showing that remembrance and loving attention to the Lord’s form is itself a devotional practice.
The verse mainly employs alaṅkāra-like descriptive Sanskrit and śubha-lakṣaṇa (auspicious characteristics); it does not directly teach a Vedāṅga procedure, but supports disciplined reading through clear compounds (samāsa) and precise epithets.
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