The Exposition of Nṛsiṁha Worship-Mantras, Nyāsa, Mudrās, Yantras, Kavaca, and Nṛsiṁha Gāyatrī
क्षं बीजं शक्तिरी प्रोक्ता षड्दीर्घेण षडङ्गकम् । अर्केन्दुवह्निनयनं शरदिन्दुरुचं करैः ॥ ४ ॥
kṣaṃ bījaṃ śaktirī proktā ṣaḍdīrgheṇa ṣaḍaṅgakam | arkenduvahninayanaṃ śaradindurucaṃ karaiḥ || 4 ||
The seed-syllable (bīja) is “kṣaṃ”, and the power (śakti) is declared to be “ī”. With the six long vowels it becomes the sixfold aṅga (ṣaḍaṅga) for nyāsa. One should meditate on the deity as having eyes like the sun, the moon, and fire, and as shining with the radiance of the autumn moon, with divine hands.
Sanatkumara (teaching Narada)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: shanta
It encodes a complete mantra-practice unit: bīja (seed), śakti (energizing syllable), ṣaḍaṅga (sixfold protective/ritual limbs), and devatā-dhyāna (visualization), showing that mantra is not only sound but also disciplined ritual application and contemplation.
Bhakti here is expressed as focused worship through mantra and meditation—fixing the mind on the deity’s luminous form (moon-like radiance and powerful eyes) while applying nyāsa, turning devotion into steady, embodied remembrance.
Ritual-mantra procedure (prayoga) is highlighted: using bīja and śakti syllables and applying ṣaḍaṅga-nyāsa (a standard technical method in mantra-śāstra aligned with Vedic auxiliary disciplines of correct recitation and ritual performance).