Mahāviṣṇu-Mantras: Aṣṭākṣarī, Sudarśana-Astra, Nyāsa Systems, Āvaraṇa-Pūjā, and Prayogas
लक्ष्मी सरस्वती चैव धृतिः प्रीतिस्ततः परम् । कांतिः शांतिस्तुष्टिपुष्टिबीजाद्या ङेनमोंतिकाः ॥ १८३ ॥
lakṣmī sarasvatī caiva dhṛtiḥ prītistataḥ param | kāṃtiḥ śāṃtistuṣṭipuṣṭibījādyā ṅenamoṃtikāḥ || 183 ||
Lakṣmī and Sarasvatī, and also Dhṛti (steadfastness) and Prīti (affection); further, Kānti (radiance) and Śānti (peace), together with Tuṣṭi (contentment), Puṣṭi (nourishment), and the bīja seed-syllables and related mantric elements—these are the names and forms connected with the nasal-letter group beginning with “ṅ”.
Narada (teaching in a Vedanga/phonetics-mantra listing context, traditionally within Narada–Sanatkumara dialogue framing)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It links auspicious deities and virtues (Lakṣmī, Sarasvatī, dhṛti, prīti, śānti, etc.) with precise mantric/phonetic enumeration, emphasizing that spiritual efficacy in Purāṇic-Vedic practice depends on both devotion and correct sacred sound.
By naming Lakṣmī and Sarasvatī alongside inner virtues, it implies that bhakti is supported by cultivated qualities (steadfastness, peace, contentment) and expressed through reverent utterance (namo-formulas) performed with proper pronunciation.
It reflects Vedāṅga Śikṣā (phonetics) and mantra-usage: attention to specific varga sounds like “ṅ” and to bīja/seed-syllables and salutation-formulas, indicating technical rules for recitation and ritual speech.