Mahāviṣṇu-Mantras: Aṣṭākṣarī, Sudarśana-Astra, Nyāsa Systems, Āvaraṇa-Pūjā, and Prayogas
रूपाय भूर्भुवः स्वः स्याल्लोहितकामिका च ये । भूपतित्वं च मे देहि ददापय शुचिप्रिया ॥ १०९ ॥
rūpāya bhūrbhuvaḥ svaḥ syāllohitakāmikā ca ye | bhūpatitvaṃ ca me dehi dadāpaya śucipriyā || 109 ||
For attaining beauty and form, let the vyāhṛtis ‘bhūḥ, bhuvaḥ, svaḥ’ be recited, along with the rite/mantra called Lohitakāmikā. Grant me sovereignty as a king; O Śucipriyā, cause it to be bestowed upon me.
Narada (in a didactic/ritual-technical context, likely quoting or prescribing a mantra-usage within Vedanga/kalpa-style instruction)
Vrata: none
Primary Rasa: vira
Secondary Rasa: shanta
The verse reflects a kāmya (result-oriented) application of mantra: the vyāhṛtis ‘bhūḥ, bhuvaḥ, svaḥ’ are invoked for attaining desirable qualities like beauty and worldly sovereignty, showing how sacred sound is linked to specific ritual goals within the Purāṇic-vedāṅga framework.
Bhakti here appears indirectly: the request is framed as a prayerful petition to a revered divine power (Śucipriyā), indicating reliance on divine sanction even for worldly aims—an attitude that can be purified into devotion when aligned with dharma.
It highlights mantra-prayoga (practical application of mantra) typical of Kalpa/ritual science: selecting specific sacred formulas (vyāhṛtis and a named mantra/rite like Lohitakāmikā) for targeted results such as rūpa (beauty) and bhūpatitva (kingship).
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