Śeṣoditya-Sūrya-nyāsa, Soma-sādhana, Graha-pūjā, and Bhauma-vrata-vidhi
आधारलिंगयोर्नाभौ हृदि कंठे मुखांतरे । भ्रूमध्ये च तथा भाले ब्रह्मरंघ्रे न्यसेत्क्रमात् ॥ १८ ॥
ādhāraliṃgayornābhau hṛdi kaṃṭhe mukhāṃtare | bhrūmadhye ca tathā bhāle brahmaraṃghre nyasetkramāt || 18 ||
One should perform nyāsa in due sequence—at the navel (between the ādhāra and the liṅga), then in the heart, in the throat, within the mouth, in the space between the eyebrows, upon the forehead, and finally at the brahma-randhra (the cranial aperture).
Narada (teaching in a technical/ritual context within the Vedanga-oriented section)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It prescribes an internal nyāsa sequence that sacralizes key bodily centers, turning the body into a fit locus for mantra—progressing from lower support to the crown (brahma-randhra) to refine awareness upward.
While technical, the ordered nyāsa supports bhakti by steadying mind and prāṇa so that japa and remembrance of the deity can be performed with one-pointed devotion.
It reflects applied ritual-technical discipline (prayoga) akin to Vedāṅga-oriented procedure—precise bodily placements (nyāsa) used to empower mantra recitation and meditative focus.
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