Mantraśodhana, Dīkṣā-krama, Guru-Pādukā, Ajapā-Haṃsa, and Ṣaṭcakra-Kuṇḍalinī Sādhana
चतुष्के यत्र नामार्णस्तत्स्यात्सिद्धिचतुष्ककम् । प्रादक्षिण्यात्तद्द्वितीयं साध्याख्यं परिकीर्तितम् ॥ ५ ॥
catuṣke yatra nāmārṇastatsyātsiddhicatuṣkakam | prādakṣiṇyāttaddvitīyaṃ sādhyākhyaṃ parikīrtitam || 5 ||
That set of four in which the syllables of the Holy Name are placed is called the ‘fourfold of siddhis’. Taking them in rightward (clockwise) order, the second set is declared to be known as ‘Sādhya’.
Sanatkumara (teaching Narada)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It defines a precise, rule-based way of arranging the Name’s syllables into a fourfold scheme, linking correct order (prādakṣiṇya) with specific spiritual outcomes (siddhis) and a distinct category called Sādhya.
By emphasizing the ‘Name’ (nāma) and its syllables as the core element, it supports nāma-centered practice—devotion expressed through disciplined mantra use rather than mere sentiment.
It highlights technical mantra-vidhi: phonemic/letter-based arrangement (linked to Śikṣā and Vyākaraṇa concerns) and the ritual principle of rightward/clockwise sequencing (prādakṣiṇya) used in nyāsa and related procedures.