Nirukta, Phonetic Variants, and Vedic Dhātu–Svara Taxonomy
अष्ट संग्राम आख्यातोऽनुदात्तेच्छब्दिकैर्बुधैः । स्तोमाद्याः षोडश तथा अंदतस्यं निदर्शनम् ॥ ७४ ॥
aṣṭa saṃgrāma ākhyāto'nudāttecchabdikairbudhaiḥ | stomādyāḥ ṣoḍaśa tathā aṃdatasyaṃ nidarśanam || 74 ||
The learned authorities on Vedic phonetics and terminology also describe eight kinds of saṃgrāma. Likewise they set forth the sixteen classifications beginning with stoma—this is presented as an illustration of that technical doctrine.
Narada (teaching in a technical, enumerative style within Moksha-dharma instruction)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It shows that Moksha-dharma is supported by disciplined Vedic learning: correct sound, classification, and method (śabda-śāstra and śikṣā) are treated as aids to clarity and right understanding.
Indirectly: it emphasizes precision in sacred recitation and doctrine. In the Purāṇic framework, such disciplined recitation and study can become a supportive limb to bhakti when directed toward Viṣṇu-centered worship and remembrance.
Vedāṅga-Śikṣā/phonetics and technical Vedic chant classifications—terms like anudātta (accent) and stoma (recitation/chant grouping), presented through enumerated lists (eight and sixteen).