HomeMatsya PuranaAdh. 153Shloka 44
Previous Verse
Next Verse

Shloka 44

Matsya Purana — The Slaying of Jambha and the Rise of Tāraka: Divine Battle Formations

शंभुं बिभेद दशनैर् नाभिदेशे गजासुरः दृष्ट्वा सक्तं तु रुद्राभ्यां नव रुद्रास्ततो ऽद्भुतम् //

śaṃbhuṃ bibheda daśanair nābhideśe gajāsuraḥ dṛṣṭvā saktaṃ tu rudrābhyāṃ nava rudrāstato 'dbhutam //

Gajāsura pierced Śambhu (Śiva), biting him with his tusks in the region of the navel. Seeing him thus engaged with the two Rudras, thereupon—marvellously—nine Rudras manifested.

śaṃbhumŚambhu (Śiva)
śaṃbhum:
bibhedapierced/bit
bibheda:
daśanaiḥwith the teeth/tusks
daśanaiḥ:
nābhi-deśein the navel-region
nābhi-deśe:
gajāsuraḥthe elephant-demon (Gajāsura)
gajāsuraḥ:
dṛṣṭvāhaving seen
dṛṣṭvā:
saktamengaged/fastened in combat
saktam:
tuindeed
tu:
rudrābhyāmwith two Rudras (dual)
rudrābhyām:
navanine
nava:
rudrāḥRudras/forms of Rudra
rudrāḥ:
tataḥthen/thereupon
tataḥ:
adbhutamwondrous/astonishing.
adbhutam:
Sūta (Purāṇic narrator) describing the episode (narrative voice within Matsya Purāṇa)
Śambhu (Śiva)GajāsuraRudraNava Rudras
RudraShaiva mythologyAsura battleIconographyPuranic narrative

FAQs

This verse does not describe Pralaya; it highlights a theophany—multiple Rudra manifestations arising amid combat—showing divine multiplication of power rather than cosmic dissolution.

Indirectly, it reinforces a Purāṇic ethic: when confronted by disruptive forces (asura-like violence), dharmic order is protected through resolute action and divine support—an ideal mirrored in a king’s duty to protect subjects and restrain aggression.

No direct Vāstu rule is stated, but the mention of “Nava Rudras” is often ritually relevant for Rudra-oriented worship (Rudra-arcana) and can inform iconographic/temple program themes where multiple Rudra forms are installed or invoked.