HomeMatsya PuranaAdh. 153Shloka 17
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Shloka 17

Matsya Purana — The Slaying of Jambha and the Rise of Tāraka: Divine Battle Formations

चन्द्रखण्डनृमुण्डालीमण्डितोरुशिखण्डिनः शूलज्वालावलिप्ताङ्गा भुजमण्डलभैरवाः //

candrakhaṇḍanṛmuṇḍālīmaṇḍitoruśikhaṇḍinaḥ śūlajvālāvaliptāṅgā bhujamaṇḍalabhairavāḥ //

They are Bhairavas with mighty arms arrayed in a fearsome circle—wearing lofty crests adorned with a fragment of the crescent moon and garlands of human skulls, their bodies smeared and blazing with the flames of their tridents (śūla).

चन्द्रखण्ड (candrakhaṇḍa)a fragment/mark of the crescent moon
चन्द्रखण्ड (candrakhaṇḍa):
नृमुण्डाली (nṛmuṇḍālī)a garland/row of human skulls
नृमुण्डाली (nṛmuṇḍālī):
मण्डित (maṇḍita)adorned, decorated
मण्डित (maṇḍita):
उरुशिखण्डिनः (uruśikhaṇḍinaḥ)having tall/large crests or topknots
उरुशिखण्डिनः (uruśikhaṇḍinaḥ):
शूल (śūla)trident/spear (Śiva’s weapon)
शूल (śūla):
ज्वाला (jvālā)flame
ज्वाला (jvālā):
अवलिप्ताङ्गाः (avaliptāṅgāḥ)having limbs smeared/covered (here, with fiery radiance)
अवलिप्ताङ्गाः (avaliptāṅgāḥ):
भुजमण्डल (bhujamaṇḍala)circle/array of arms
भुजमण्डल (bhujamaṇḍala):
भैरवाः (bhairavāḥ)Bhairavas, fierce Śaiva forms/attendants
भैरवाः (bhairavāḥ):
Lord Matsya (in the Matsya–Manu dialogue, describing iconographic characteristics)
BhairavaRudra/Śiva (implied by śūla and crescent iconography)
IconographyBhairavaShaivaPratima LakshanaTemple Art

FAQs

This verse is not about pralaya; it focuses on iconographic identification—how fierce Bhairava forms should be envisioned/depicted through specific emblems like the crescent mark, skull garland, and flaming trident.

Indirectly, it supports dharma through correct worship and patronage: kings and householders who fund temples or images are expected to follow śāstric descriptions so that installations and rituals align with tradition and yield intended religious merit.

It provides pratima-lakṣaṇa (image-specifications) for Bhairava—key markers (crescent/crest, skull garland, flaming trident, multi-armed circular arrangement) that guide sculptors, temple planners, and priests in correct depiction and consecration.