HomeMatsya PuranaAdh. 119Shloka 25

Shloka 25

Matsya Purana — The Cave-Sanctuary: Jewel-Lake

मध्ये तु तस्याः प्रासादं निर्मितं तपसात्रिणा रुक्मसेतुप्रवेशान्तं सर्वरत्नमयं शुभम् //

madhye tu tasyāḥ prāsādaṃ nirmitaṃ tapasātriṇā rukmasetupraveśāntaṃ sarvaratnamayaṃ śubham //

In the very middle of that place, an auspicious palace was built by the power of austerity; its approach extended up to a golden causeway/bridge, and it was fashioned entirely of every kind of precious gem.

मध्ये (madhye)in the middle
मध्ये (madhye):
तु (tu)indeed/and
तु (tu):
तस्याः (tasyāḥ)of that (feminine—city/enclosure/complex)
तस्याः (tasyāḥ):
प्रासादम् (prāsādam)palace/mansion
प्रासादम् (prāsādam):
निर्मितम् (nirmitam)constructed
निर्मितम् (nirmitam):
तपसा (tapasā)by austerity/ascetic power
तपसा (tapasā):
त्रिणा (triṇā)by the Three (often read as instrumental
त्रिणा (triṇā):
रुक्म (rukma)gold/golden
रुक्म (rukma):
सेतु (setu)bridge/causeway
सेतु (setu):
प्रवेशान्तम् (praveśāntam)extending up to the entrance/terminating at the entry
प्रवेशान्तम् (praveśāntam):
सर्वरत्नमयम् (sarvaratnamayam)made of all kinds of jewels
सर्वरत्नमयम् (sarvaratnamayam):
शुभम् (śubham)auspicious/propitious.
शुभम् (śubham):
Suta (narrating the Matsya Purana’s account; descriptive passage within Vastuvidya context)
VastuvidyaPrasada (palace)Rukma-setu (golden causeway/bridge)
Vastu ShastraPuranic palaceTemple-town planningAuspicious architectureGem-studded construction

FAQs

This verse is not about Pralaya; it describes ideal, auspicious construction—highlighting a palace placed at the center and approached by a golden causeway, emphasizing sacred order and prosperity rather than cosmic dissolution.

It reflects the royal duty to establish a well-ordered, auspicious seat of governance: a centrally placed palace, splendid yet ritually ‘śubha’, suggesting that wealth (gems, gold) should be aligned with dharmic planning and public order.

Key Vastu cues are the central placement (madhye) and the designed approach (rukma-setu) culminating at the entrance—signs of intentional axial planning; ‘sarvaratnamaya’ also signals a symbolic ideal of abundance and consecrated splendor in Puranic architecture.