HomeMatsya PuranaAdh. 140Shloka 79

Shloka 79

Matsya Purana — The Burning of Tripura and Rudra’s Victory

*ऋषय ऊचुः भगवन्स मयो येन गृहेण प्रपलायितः तस्य नो गतिमाख्याहि मयस्य चमसोद्भव //

*ṛṣaya ūcuḥ bhagavansa mayo yena gṛheṇa prapalāyitaḥ tasya no gatimākhyāhi mayasya camasodbhava //

The sages said: “O Blessed Lord, tell us where that Māyā has gone—he who fled away by means of a (mystic) house. O Chamasodbhava (One born from the sacrificial ladle), explain to us the fate of Māyā.”

ṛṣayaḥthe sages
ṛṣayaḥ:
ūcuḥsaid
ūcuḥ:
bhagavanO Lord, O Blessed One
bhagavan:
saḥthat/he
saḥ:
mayaḥMaya (the Asura/demon named Maya, famed for illusion)
mayaḥ:
yenaby which/through whom/whereby
yena:
gṛheṇaby a house, dwelling, (magically produced) mansion
gṛheṇa:
prapalāyitaḥfled away, escaped
prapalāyitaḥ:
tasyaof him/of that one
tasya:
naḥto us/for us
naḥ:
gatimcourse, destination, fate
gatim:
ākhyāhitell, declare
ākhyāhi:
mayasyaof Maya
mayasya:
camasodbhava“born from the ladle” (epithet used for a revered divine/primeval being in sacrificial context—here an honorific address to the Lord in the Purāṇic dialogue).
camasodbhava:
Ṛṣis (the sages)
MayaBhagavan (the Lord, in Matsya Purana dialogue context: Lord Matsya/Vishnu)
PralayaMatsya AvataraAsura MayaPuranic DialogueIllusion (Maya)

FAQs

It reflects the post-deluge narrative mood: after catastrophic events, the sages seek an account of what became of key actors like the Asura Maya, emphasizing that even in Pralaya-related episodes, destinies (gati) are traced and explained by the Lord.

Indirectly, it underscores a dharmic pattern central to the Matsya Purana: seekers (including rulers like Manu in adjacent dialogues) must ask the right questions and receive authoritative guidance about threats, deception, and the outcomes of adharmic forces—an ethic of informed governance and disciplined inquiry.

The “house” (gṛha) is presented as an instrument of escape—suggesting a supernatural or illusory construction associated with Maya; while not a Vāstu rule itself, it resonates with Purāṇic themes where building/structures can be empowered by mantra, illusion, or siddhi, contrasting righteous architecture with deceptive, māyā-based creations.