HomeMatsya PuranaAdh. 126Shloka 26

Shloka 26

Matsya Purana — The Attendant Hosts of the Sun and Moon: Monthly Gaṇas

ग्रथितैस्तु वचोभिश्च स्तुवन्ति ऋषयो रविम् गन्धर्वाप्सरसश्चैव गीतनृत्यैरुपासते //

grathitaistu vacobhiśca stuvanti ṛṣayo ravim gandharvāpsarasaścaiva gītanṛtyairupāsate //

With well-composed words, the sages hymn and praise Ravi (the Sun); and the Gandharvas and Apsarases likewise worship him through song and dance.

ग्रथितैःwell-woven, well-composed
ग्रथितैः:
तुindeed
तु:
वचोभिःwith words/speeches
वचोभिः:
and
:
स्तुवन्तिthey praise, hymn
स्तुवन्ति:
ऋषयःthe sages
ऋषयः:
रविम्Ravi, the Sun
रविम्:
गन्धर्व-अप्सरसःGandharvas and Apsarases (celestial musicians and nymphs)
गन्धर्व-अप्सरसः:
च एवand indeed/also
च एव:
गीत-नृत्यैःwith singing and dancing
गीत-नृत्यैः:
उपासतेthey worship, attend upon with devotion
उपासते:
Suta (narrative voice describing cosmic/celestial worship; internal speaker not explicit in this verse)
Ravi (Surya)RishisGandharvasApsarases
SuryaStutiRitual WorshipCelestial BeingsBhakti

FAQs

It does not describe Pralaya directly; it highlights the ongoing cosmic order where Surya (Ravi) is continually revered by sages and celestial beings, implying the Sun’s sustaining role in the world’s rhythm.

It presents Surya-upasana as an ideal model of devotion: disciplined praise (mantra/words) and reverential offerings (music, performance). A householder or king may emulate this through daily Sun worship, recitation, and patronage of dharmic arts used in ritual contexts.

Ritually, it affirms that worship can include both verbal praise (stotra) and performative offerings (gīta-nṛtya). Architecturally, while no rule is stated, it supports the broader temple-ritual ecosystem where music and dance function as sanctioned upacāras (services) to a deity.