HomeMatsya PuranaAdh. 174Shloka 14

Shloka 14

Matsya Purana — The Array of the Gods: Description of the Vaiṣṇava Host and the Lokapālas

पाण्डुरोद्धूतवसनः प्रवालरुचिराङ्गदः मणिश्यामोत्तमवपुर् हरिभारार्पितो वरः //

pāṇḍuroddhūtavasanaḥ pravālarucirāṅgadaḥ maṇiśyāmottamavapur haribhārārpito varaḥ //

Clad in spotless, fluttering garments, wearing armlets radiant like coral, possessing an excellent body dark-hued like a precious gem—he is the noble one, specially offered (as a sacred burden/service) to Hari.

pāṇḍurawhite, spotless
pāṇḍura:
uddhūtalifted up, billowing, fluttering
uddhūta:
vasanaḥclothed, having garments
vasanaḥ:
pravālacoral
pravāla:
rucirabeautiful, radiant
rucira:
aṅgadaḥarmlet, arm-ornament
aṅgadaḥ:
maṇijewel, precious stone
maṇi:
śyāmadark-hued, blue-black
śyāma:
uttamaexcellent, supreme
uttama:
vapuḥbody, form
vapuḥ:
hariHari (Viṣṇu)
hari:
bhāraburden, charge, entrusted duty/service
bhāra:
arpitaḥoffered, dedicated, entrusted
arpitaḥ:
varaḥexcellent one, noble person
varaḥ:
Sūta (narrating the Matsya Purana’s teaching on sacred iconography, in the broader dialogue tradition attributed to Lord Matsya’s instruction)
Hari (Vishnu)
IconographyPratima LakshanaVishnuOrnamentsTemple Ritual

FAQs

This verse does not discuss pralaya; it focuses on auspicious visual characteristics used in sacred description—especially dress, ornaments, and divine complexion—typical of iconographic sections.

Indirectly, it guides patrons (kings/householders) in recognizing and commissioning auspicious forms for worship—supporting dharma through proper consecration, donation, and maintenance of images and temples dedicated to Hari.

The details (white garments, coral-like armlets, gem-dark complexion) function as pratima-lakṣaṇa markers—used by sculptors and priests when creating, selecting, and ritually installing an image aligned with Matsya Purana temple-worship standards.