HomeMatsya PuranaAdh. 148Shloka 40

Shloka 40

Matsya Purana — Tārakāsura’s Austerity and Boon; Mobilization for War; Bṛhaspati’s Fourfold P...

शुक्लाम्बरपरिष्कारं चतुर्योजनविस्तृतम् नानाक्रीडागृहयुतं गीतवाद्यमनोहरम् //

śuklāmbarapariṣkāraṃ caturyojanavistṛtam nānākrīḍāgṛhayutaṃ gītavādyamanoharam //

Adorned with immaculate white drapery and furnishings, spread across an expanse of four yojanas, furnished with many pleasure-pavilions and play-houses, it was enchanting with song and instrumental music.

śuklawhite, pure
śukla:
ambaragarment, cloth, drapery
ambara:
pariṣkāraṃdecoration, refinement, adornment
pariṣkāraṃ:
caturfour
catur:
yojanaa yojana (ancient measure of distance)
yojana:
vistṛtamविस्तृतम्, विस्तारित, extended/spread out
vistṛtam:
nānāvarious, many kinds
nānā:
krīḍāplay, sport, recreation
krīḍā:
gṛhahouse, pavilion
gṛha:
yutaṃendowed with, furnished with
yutaṃ:
gītasong
gīta:
vādyamusical instrument, instrumental music
vādya:
manoharamcaptivating, pleasing to the mind
manoharam:
Lord Matsya (in discourse to Vaivasvata Manu, within the Matsya Purana’s descriptive/architectural narrative)
Vastu ShastraPalace architectureRoyal amenitiesUrban planningPerforming arts

FAQs

This verse does not discuss Pralaya; it focuses on worldly splendor—an expansive, well-appointed complex characterized by refined decoration, leisure spaces, and courtly music.

It reflects an ideal of royal stewardship: providing orderly, cultivated spaces that support recreation and the arts, implying a king’s role in sustaining prosperity, culture, and well-designed public/royal infrastructure.

Architecturally, it highlights Vastu-oriented planning at large scale (measured extent), specialized recreational structures (krīḍā-gṛha), and aesthetic finishing (white drapery/ornamentation), suggesting integrated design for comfort, beauty, and cultural performance.