Matsya Purana — Tārakāsura’s Austerity and Boon; Mobilization for War; Bṛhaspati’s Fourfold P...
शुक्लाम्बरपरिष्कारं चतुर्योजनविस्तृतम् नानाक्रीडागृहयुतं गीतवाद्यमनोहरम् //
śuklāmbarapariṣkāraṃ caturyojanavistṛtam nānākrīḍāgṛhayutaṃ gītavādyamanoharam //
Adorned with immaculate white drapery and furnishings, spread across an expanse of four yojanas, furnished with many pleasure-pavilions and play-houses, it was enchanting with song and instrumental music.
This verse does not discuss Pralaya; it focuses on worldly splendor—an expansive, well-appointed complex characterized by refined decoration, leisure spaces, and courtly music.
It reflects an ideal of royal stewardship: providing orderly, cultivated spaces that support recreation and the arts, implying a king’s role in sustaining prosperity, culture, and well-designed public/royal infrastructure.
Architecturally, it highlights Vastu-oriented planning at large scale (measured extent), specialized recreational structures (krīḍā-gṛha), and aesthetic finishing (white drapery/ornamentation), suggesting integrated design for comfort, beauty, and cultural performance.