Matsya Purana — Maya’s Nectar-Reservoir in Tripura and the Revival of the Slain in the Tripur...
तत्र दैत्यैर्महानादो दानवैरपि भैरवः तारकाख्यस्य पूजार्थं कृतो जलधरोपमः //
tatra daityairmahānādo dānavairapi bhairavaḥ tārakākhyasya pūjārthaṃ kṛto jaladharopamaḥ //
There, the Daityas raised a mighty roar, and the Dānavas too made a dreadful, thunderous tumult—like a rain-cloud—performed for the sake of worshipping the one called Tāraka.
This verse does not describe Pralaya; it depicts a ritualized, thunder-like uproar made as part of worship for Tāraka, emphasizing ceremonial sound rather than cosmic dissolution.
Indirectly, it highlights that worship (pūjā) is carried out with prescribed acts—including sound and proclamation—suggesting that householders and rulers alike should perform rites with due observance of traditional ritual elements.
Ritually, it underscores the role of powerful sound (nāda) in pūjā contexts—here likened to thunderclouds—indicating an atmosphere of formal ceremonial proclamation often associated with temple worship and public rites.