HomeMatsya PuranaAdh. 136Shloka 53

Shloka 53

Matsya Purana — Maya’s Nectar-Reservoir in Tripura and the Revival of the Slain in the Tripur...

त्रिपुरे तु महान्घोरो भेरीशङ्खरवो बभौ दानवा निःसृता दृष्ट्वा देवदेवरथे सुरम् //

tripure tu mahānghoro bherīśaṅkharavo babhau dānavā niḥsṛtā dṛṣṭvā devadevarathe suram //

But in Tripura there arose a mighty and terrifying roar of war—kettle-drums and conch-shell blasts. Seeing the god upon the chariot of the Lord of gods, the Dānavas rushed out to confront him.

त्रिपुरेin Tripura
त्रिपुरे:
तुindeed/but
तु:
महान्-घोरःvery great and dreadful
महान्-घोरः:
भेरीwar-drum/kettle-drum
भेरी:
शङ्ख-रवःthe sound of conches
शङ्ख-रवः:
बभौarose/appeared/resounded
बभौ:
दानवाःthe Dānavas (demonic clans)
दानवाः:
निःसृताःhaving come out/rushed forth
निःसृताः:
दृष्ट्वाhaving seen
दृष्ट्वा:
देवदेव-रथेon the chariot of the Lord of gods (Śiva/Divine Lord)
देवदेव-रथे:
सुरम्the god/deva (the divine one)
सुरम्:
Suta (narrator) recounting the Tripura episode within the Matsya Purana’s dialogue framework
TripuraDānavasDevadeva (Lord of gods, commonly Śiva in Tripura-daha)Deva (the god on the chariot)
Tripura-dahaShaiva mythBattle narrativePuranic warfareConch and drum signals

FAQs

This verse does not describe cosmic creation or Pralaya; it depicts the outbreak of war in Tripura, marked by conch and drum signals, as the Dānavas mobilize on seeing the deity’s chariot.

Indirectly, it reflects the dharmic theme of preparedness and decisive response to imminent threat: the battlefield signals (conch/drum) represent organized mobilization—an ideal also valued in rajadharma (statecraft and defense), though the verse itself is mythic.

Ritually, the bherī (war-drum) and śaṅkha (conch) indicate auspicious yet martial sound-rites used to announce major actions; architecturally, “Tripura” evokes the fortified triple-city motif, but no specific Vastu/temple rule is stated in this verse.