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Shloka 60

Matsya Purana — Manvantaras

प्रवर्तयन्ति तेषां वै ब्रह्मस्तोत्रं पुनः पुनः एवं मन्त्रगुणानां तु समुत्पत्तिश्चतुर्विधा //

pravartayanti teṣāṃ vai brahmastotraṃ punaḥ punaḥ evaṃ mantraguṇānāṃ tu samutpattiścaturvidhā //

For them indeed, the Brahma-hymn is set in motion again and again—repeatedly recited and applied. Thus, the manifestation of the qualities of mantras is fourfold.

प्रवर्तयन्तिthey set in motion / cause to be performed
प्रवर्तयन्ति:
तेषाम्of them / for those persons
तेषाम्:
वैindeed
वै:
ब्रह्मस्तोत्रम्the hymn (stotra) to Brahmā / Brahma-stotra
ब्रह्मस्तोत्रम्:
पुनः पुनःagain and again, repeatedly
पुनः पुनः:
एवम्thus, in this manner
एवम्:
मन्त्र-गुणानाम्of the qualities/potencies of mantras
मन्त्र-गुणानाम्:
तुand, indeed (emphatic)
तु:
समुत्पत्तिःarising, origination, manifestation
समुत्पत्तिः:
चतुर्विधाfourfold, of four kinds
चतुर्विधा:
Lord Matsya (in discourse to Vaivasvata Manu)
Brahma (via Brahma-stotra)
MantraStotraRitual RecitationBrahmaSpiritual Practice

FAQs

It does not describe Pralaya directly; it teaches ritual efficacy—mantric power becomes manifest through repeated recitation, and those mantra-qualities are said to arise in four distinct modes.

It supports the duty of sustaining dharma through correct rites: a king or householder should ensure disciplined, repeated stotra/mantra practice, because mantra potency is not assumed but ‘arises’ through proper application.

Ritually, it emphasizes repeated Brahma-stotra as a means to activate mantra-guṇas—relevant as a general principle for consecrations and worship procedures that often accompany temple-building and installation rites.