HomeMatsya PuranaAdh. 12Shloka 3
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Shloka 3

Matsya Purana — Ila–Sudyumna Episode and the Expansion of the Ikṣvāku

पर्याणप्रत्यभिज्ञानात् सर्वे विस्मयम् आगताः अयं चन्द्रप्रभो नाम वाजी तस्य महात्मनः //

paryāṇapratyabhijñānāt sarve vismayam āgatāḥ ayaṃ candraprabho nāma vājī tasya mahātmanaḥ //

Recognizing it by its saddle-gear, all were struck with wonder: “This is the horse named Candraprabha, belonging to that great-souled man.”

पर्याण (paryāṇa)saddle, saddle-gear
पर्याण (paryāṇa):
प्रत्यभिज्ञानात् (pratyabhijñānāt)from recognition/identification
प्रत्यभिज्ञानात् (pratyabhijñānāt):
सर्वे (sarve)all (of them)
सर्वे (sarve):
विस्मयम् (vismayam)astonishment, wonder
विस्मयम् (vismayam):
आगताः (āgatāḥ)came to, were overcome by
आगताः (āgatāḥ):
अयम् (ayam)this
अयम् (ayam):
चन्द्रप्रभः (candraprabhaḥ)Candraprabha (moon-radiant
चन्द्रप्रभः (candraprabhaḥ):
नाम (nāma)named, by name
नाम (nāma):
वाजी (vājī)horse, steed
वाजी (vājī):
तस्य (tasya)of that (person)
तस्य (tasya):
महात्मनः (mahātmanaḥ)of the great-souled/noble one
महात्मनः (mahātmanaḥ):
Narrator (Purāṇic narrator in the Matsya Purana’s dynastic/court narrative frame)
Candraprabha (horse)
DynastiesRecognitionRoyal NarrativeCourt EpisodeAstonishment

FAQs

This verse does not discuss pralaya; it is a narrative moment of recognition (via saddle-gear) within a dynastic/courtly episode.

Indirectly, it reflects the royal-world emphasis on proper identification, ownership, and the credibility of tokens/equipment—practical ethics important for governance and social order.

No vastu, temple-architecture, or ritual procedure is taught here; the focus is on narrative identification through the horse’s saddle-gear.