Matsya Purana — Description of Atri’s Hermitage: Sacred Grove Planning
मूषकान्नकुलान् कावान् सिंहान् द्रुममनोहरान् तथा मत्तांश्च मातंगान् महिषान् गवयान् वृषान् चमरान् सृमरांश्चैव तथा गौरखरानपि //
mūṣakānnakulān kāvān siṃhān drumamanoharān tathā mattāṃśca mātaṃgān mahiṣān gavayān vṛṣān camarān sṛmarāṃścaiva tathā gaurakharānapi //
“(One should depict) rats, mongooses, crows, lions, and delightful trees; also rutting elephants, buffaloes, wild oxen (gavaya), bulls, yaks (camara), deer (sṛmara), and likewise white donkeys as well.”
This verse is not about Pralaya; it is an iconographic prescription listing creatures and natural motifs recommended for depiction as part of auspicious decorative programs.
It supports dharmic patronage: kings and householders who commission temples or public religious works should follow śāstric guidelines for imagery, ensuring the artwork aligns with tradition and is considered auspicious.
It functions as a Vastu/Iconography directive: certain animals, trees, and figures are to be carved/painted in specified sacred contexts (e.g., temple surfaces, panels, or decorative bands) as sanctioned motifs.