HomeMatsya PuranaAdh. 168Shloka 16

Shloka 16

Matsya Purana — Cosmic Creation: Emergence of the Great Elements and the Navel-Lotus

हुताशनज्वलितशिखोज्ज्वलत्प्रभम् उपस्थितं शरदमलार्कतेजसम् विराजते कमलमुदारवर्चसं महात्मनस्तनुरुहचारुदर्शनम् //

hutāśanajvalitaśikhojjvalatprabham upasthitaṃ śaradamalārkatejasam virājate kamalamudāravarcasaṃ mahātmanastanuruhacārudarśanam //

His presence shines with a radiance like fire with blazing flames—like the spotless autumn sun. His body glows with the noble lustre of a lotus, and the fine hairs upon the great-souled One’s limbs are themselves a beautiful sight.

hutāśanafire
hutāśana:
jvalitablazing
jvalita:
śikhāflame/tongue of fire
śikhā:
ujjvalat-prabhamhaving brilliant radiance
ujjvalat-prabham:
upasthitampresent/manifest
upasthitam:
śaradautumn
śarad:
malastainless/pure
mala:
arkasun
arka:
tejasamsplendour/energy
tejasam:
virājateshines forth/is resplendent
virājate:
kamalalotus
kamala:
udāranoble/excellent
udāra:
varcasamlustre/glow
varcasam:
mahātmanaḥof the great-souled One
mahātmanaḥ:
tanuruhafine body-hair
tanuruha:
cāru-darśanambeautiful to behold/pleasing in appearance
cāru-darśanam:
Lord Matsya (Vishnu) describing divine iconographic characteristics (as transmitted in the Matsya Purana dialogue)
Hutashana (Fire)Arka (Sun)Kamala (Lotus)Mahात्मन् (the Great-Souled Deity, i.e., Vishnu/Matsya contextually)
IconographyPratima LakshanaDivine RadianceTemple ArtMurti Shastra

FAQs

This verse is not about Pralaya; it focuses on the visible splendour (tejas) and auspicious marks used to recognize and depict the deity in iconography.

By defining the deity’s auspicious brilliance and bodily signs, it supports dharmic worship: a king or householder should commission and venerate correctly formed images, sustaining public piety, temples, and righteous order.

It functions as a pratima-lakṣaṇa guideline: the image should convey sun-like purity and fire-like brilliance, with lotus-like lustre—key cues for sculptors, painters, and consecration rites aiming at an icon that ‘appears alive’ with tejas.