HomeMatsya PuranaAdh. 3Shloka 31
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Shloka 31

Matsya Purana — Brahmā’s Four Faces

स्त्रीरूपम् अर्धम् अकरोद् अर्धं पुरुषरूपवत् शतरूपा च सा ख्याता सावित्री च निगद्यते //

strīrūpam ardham akarod ardhaṃ puruṣarūpavat śatarūpā ca sā khyātā sāvitrī ca nigadyate //

He fashioned one half as a woman’s form and the other half as a man’s form. She became renowned as Śatarūpā, and she is also spoken of as Sāvitrī.

strī-rūpama woman’s form
strī-rūpam:
ardhamhalf
ardham:
akarotmade, fashioned
akarot:
ardham(the other) half
ardham:
puruṣa-rūpavathaving the form of a man
puruṣa-rūpavat:
śata-rūpāŚatarūpā (the ‘hundred-formed’ one)
śata-rūpā:
caand
ca:
she
:
khyātāknown, famed
khyātā:
sāvitrīSāvitrī (a sacred/renowned name, associated with Savitṛ and the Gāyatrī tradition)
sāvitrī:
caalso
ca:
nigadyateis said, is called
nigadyate:
Sūta (narrating the Purāṇic account)
ŚatarūpāSāvitrī
CreationPrajāpatiŚatarūpāCosmogonyNames and Epithets

FAQs

This verse concerns creation (sarga), describing a deliberate differentiation into male and female forms; it does not describe pralaya, but establishes the generative principle that enables lineage and population after creation.

By grounding human society in the complementary male–female origin, the verse supports Purāṇic social ethics: household life (gṛhastha-dharma), marriage, and progeny are treated as sacred continuations of cosmic order, which kings are expected to protect through righteous governance.

No direct Vāstu or temple-building rule appears here; the primary ritual takeaway is the epithet “Sāvitrī,” which evokes Savitṛ/Gāyatrī associations and the broader Purāṇic emphasis on sacred names used in rites and recitation.