HomeMatsya PuranaAdh. 3Shloka 24
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Shloka 24

Matsya Purana — Brahmā’s Four Faces

आकाशविकृतेर् वायुः शब्दस्पर्शगुणो ऽभवत् वायोश् च स्पर्शतन्मात्रात् तेजश् चाविर् अभूत् ततः //

ākāśavikṛter vāyuḥ śabdasparśaguṇo 'bhavat vāyoś ca sparśatanmātrāt tejaś cāvir abhūt tataḥ //

From the modification of ether (ākāśa) arose wind (vāyu), endowed with the qualities of sound and touch. And from wind—through the subtle essence (tanmātra) of touch—fire (tejas) then manifested.

ākāśa-vikṛteḥfrom the transformation/modification of ether
ākāśa-vikṛteḥ:
vāyuḥair/wind
vāyuḥ:
śabda-sparśa-guṇaḥhaving the qualities of sound and touch
śabda-sparśa-guṇaḥ:
abhavatcame into being
abhavat:
vāyoḥfrom air
vāyoḥ:
caand
ca:
sparśa-tanmātrātfrom the subtle element/essence of touch
sparśa-tanmātrāt:
tejaḥfire, radiance, heat (the fire-element)
tejaḥ:
caand
ca:
āviḥmanifest, evident
āviḥ:
abhūtarose, came forth
abhūt:
tataḥthen, thereafter
tataḥ:
Lord Matsya (in discourse to Vaivasvata Manu)
ĀkāśaVāyuTanmātraTejas
CreationSargaTanmātrasMahābhūtasCosmology

FAQs

It presents the creation-side sequence of elemental evolution: ether transforms into air (adding touch to sound), and from air’s touch-subtlety fire manifests—an ordered cosmology that is later reversed conceptually during dissolution.

Indirectly, it grounds dharma in cosmic order: the same structured progression (cause → subtle essence → manifest form) is a model for disciplined governance and household life—actions should follow proper sequence, restraint, and intelligible causality.

The verse itself is cosmological, but its element-theory underlies Vāstu and ritual logic: fire (tejas) is derived through touch-subtlety and becomes central to homa/agnikārya and to Vāstu considerations of heat, light, and the placement/function of the fire-space (agni).