Adhyaya 8 — Harishchandra’s Trial: Truth, the Sale of Family, and Bondage to a Chandala
गायतां भूतवेतालपिशाचगणरक्षसाम् ।
श्रूयते सुमहान् घोरः कल्पान्त इव निःस्वनः ॥
gāyatāṃ bhūta-vetāla-piśāca-gaṇa-rakṣasām /
śrūyate sumahān ghoraḥ kalpānta iva niḥsvanaḥ
As hosts of bhūtas, vetālas, piśācas, and rākṣasas sang, there was heard an immense and dreadful roar—like the sound at the end of an aeon.
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The ‘end-of-aeon’ comparison magnifies the gravity of adharmic company and environments: the mind becomes overwhelmed by tamas when it dwells among destructive impressions.
Not a direct sarga/pratisarga/manvantara/vaṃśa unit; it functions as ākhyāna (narrative) that prepares for later instruction and transformation in the storyline.
Kalpānta is also inner dissolution: when prāṇa and mind are seized by fear, one experiences a personal ‘world-end’—a cue for seeking refuge in higher dharma or divinity.