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Shloka 14

Brahmaṇānāṃ Yācanā—Tīrtha-yātrā-prastāvaḥ

The Brahmanas’ Petition and the Proposal of Pilgrimage

विश्वावसोस्तु तनयाद्‌ गीत॑ नृत्यं च साम च । वादित्रं च यथान्यायं प्रत्यविन्दद्‌ यथाविधि,“इतना ही नहीं, उन्होंने विश्वावसुके पुत्रसे नृत्य, गीत, सामगान और वाद्यकलाकी भी विधिपूर्वक यथोचित शिक्षा प्राप्त कर ली है

viśvāvasos tu tanayād gītaṃ nṛtyaṃ ca sāma ca | vāditraṃ ca yathānyāyaṃ pratyavindad yathāvidhi ||

Vaiśampāyana said: “From the son of Viśvāvasu he duly acquired, in the proper manner, instruction in singing, dancing, Sāman-chanting, and instrumental music—learning each art according to established rule and fitting practice.”

विश्वावसोःof Viśvāvasu
विश्वावसोः:
Sambandha
TypeNoun
Rootविश्वावसु
FormMasculine, Genitive, Singular
तुbut/indeed
तु:
TypeIndeclinable
Rootतु
तनयात्from (his) son
तनयात्:
Apadana
TypeNoun
Rootतनय
FormMasculine, Ablative, Singular
गीतंsong/singing
गीतं:
Karma
TypeNoun
Rootगीत
FormNeuter, Accusative, Singular
नृत्यंdance
नृत्यं:
Karma
TypeNoun
Rootनृत्य
FormNeuter, Accusative, Singular
and
:
TypeIndeclinable
Root
सामSāman-chant (Sāmaveda singing)
साम:
Karma
TypeNoun
Rootसामन्
FormNeuter, Accusative, Singular
and
:
TypeIndeclinable
Root
वादित्रंinstrumental music / musical instrument(s)
वादित्रं:
Karma
TypeNoun
Rootवादित्र
FormNeuter, Accusative, Singular
and
:
TypeIndeclinable
Root
यथाas/according to
यथा:
TypeIndeclinable
Rootयथा
अन्यायम्otherwise/contrary to rule (here: not otherwise, i.e., properly)
अन्यायम्:
TypeIndeclinable
Rootअन्याय
प्रत्यविन्दत्obtained/learned (received)
प्रत्यविन्दत्:
TypeVerb
Rootप्रति-अविन्द् (विद्)
FormImperfect (Laṅ), 3rd, Singular, Parasmaipada
यथाas/according to
यथा:
TypeIndeclinable
Rootयथा
विधिrule/prescribed method
विधि:
Karma
TypeNoun
Rootविधि
FormMasculine, Accusative, Singular

वैशम्पायन उवाच

V
Vaiśampāyana
V
Viśvāvasu
S
son of Viśvāvasu
G
gīta (singing)
N
nṛtya (dance)
S
sāman (Sāmaveda chant)
V
vāditra (musical instruments)

Educational Q&A

True accomplishment is gained through disciplined learning—approaching a qualified source and mastering skills 'yathāvidhi' (by rule) and 'yathānyāya' (appropriately). The verse values refinement and right method, not mere talent.

Vaiśampāyana reports that the person being described received proper instruction from Viśvāvasu’s son in multiple performing arts—singing, dancing, Sāman-chanting, and instrumental music—indicating comprehensive, rule-based training.