Shloka 1

अपन कराता बछ। अं: एकोननवर्त्याधेकशततमो< ध्याय: शिखण्डीका विवाह तथा उसके स्त्री होनेका समाचार पाकर उसके श्वशुर दशार्णगजका महान्‌ कोप भीष्म उवाच चकार यत्नं द्रुपद: सुताया: सर्वकर्मसु | ततो लेख्यादिषु तथा शिल्पेषु च परंतप,भीष्म कहते हैं--तदनन्तर ट्रुपदने अपनी पुत्रीको लेखनशिक्षा और शिल्पशिक्षा आदि सभी कार्योंकी योग्यता प्राप्त करानेके लिये विशेष प्रयत्न किया

bhīṣma uvāca | cakāra yatnaṁ drupadaḥ sutāyāḥ sarvakarmasu | tato lekhya-ādiṣu tathā śilpeṣu ca parantapa ||

Bhishma said: “Thereafter King Drupada made a deliberate effort to train his child in every requisite duty and skill. Thus, O scorcher of foes, he had the child instructed in writing and related arts, as well as in the various crafts—preparing the way for the later events surrounding Śikhaṇḍī’s identity and marriage.”

चकारdid, performed
चकार:
TypeVerb
Rootकृ (धातु)
Formलिट् (परोक्षभूत/परफेक्ट), 3, singular, परस्मैपद
यत्नम्effort
यत्नम्:
Karma
TypeNoun
Rootयत्न (प्रातिपदिक)
Formmasculine, accusative, singular
द्रुपदःDrupada
द्रुपदः:
Karta
TypeNoun
Rootद्रुपद (प्रातिपदिक)
Formmasculine, nominative, singular
सुतायाःof (his) daughter
सुतायाः:
TypeNoun
Rootसुता (प्रातिपदिक)
Formfeminine, genitive, singular
सर्वकर्मसुin all duties/activities
सर्वकर्मसु:
Adhikarana
TypeNoun
Rootसर्वकर्मन् (प्रातिपदिक)
Formneuter, locative, plural
ततःthen, thereafter
ततः:
TypeIndeclinable
Rootततः (अव्यय)
लेख्यादिषुin writing etc.
लेख्यादिषु:
Adhikarana
TypeNoun
Rootलेख्यादि (प्रातिपदिक)
Formneuter, locative, plural
तथाlikewise, also
तथा:
TypeIndeclinable
Rootतथा (अव्यय)
शिल्पेषुin crafts/arts
शिल्पेषु:
Adhikarana
TypeNoun
Rootशिल्प (प्रातिपदिक)
Formneuter, locative, plural
and
:
TypeIndeclinable
Rootच (अव्यय)
परंतपO scorcher of foes (address)
परंतप:
TypeNoun
Rootपरंतप (प्रातिपदिक)
Formmasculine, vocative, singular

भीष्म उवाच

B
Bhishma
D
Drupada
S
Shikhandi (implied by chapter context)
D
Dasharnagaja (implied by chapter context)

Educational Q&A

A ruler’s responsibility includes deliberate preparation of one’s child for social and practical duties—education in literacy and crafts is presented as a foundational form of dharma, especially when future public consequences are at stake.

Bhishma narrates that Drupada, anticipating the demands of life and circumstance, ensured his child (connected with Shikhandi in this chapter) was trained comprehensively—specifically in writing and in various crafts—setting up the later complications around marriage and identity.