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Shloka 5

Yajña-bhāga-vyavasthā and the Pravṛtti–Nivṛtti Framework (यज्ञभागव्यवस्था तथा प्रवृत्तिनिवृत्तिधर्मविवेचनम्)

मदगुभि: खग्जरीटैश्न विचित्रैर्जीवजीवकै:,उस पर्वतपर सब ओर अप्सराएँ विचर रही थीं। चारों ओर विविध प्राणियोंकी शान्तिमयी ध्वनिसे वहाँका सारा प्रान्त व्याप्त हो रहा था। सहस्रों किन्नर, भ्रमर, मदगु, विचित्र खंजरीट, चकोर, सैकड़ों मधुर वाणीसे सुशोभित विचित्र वर्णवाले मयूर, राजहंसोंके समुदाय तथा काले कोकिल वहाँ अपनी शान्त मधुर ध्वनि फैला रहे थे

bhīṣma uvāca | madagubhiḥ khañjarīṭaiś ca vicitrair jīvajīvakaiḥ | tasmin parvate sarvata apsaraso vicaranti sma | nānāprāṇiśāntadhvaninā tatra sarvaḥ pradeśo vyāptaḥ | sahasrāṇi kinnarāḥ bhramarā madagavaḥ vicitrāḥ khañjarīṭāś cakoraś ca | śatāni madhuravāṇyā suśobhitā vicitravarṇā mayūrāḥ | rājahaṃsasamūhāḥ kālāḥ kokilāś ca tatra śāntāṃ madhurāṃ dhvaniṃ vitanvanti sma ||

Bhishma said: “On that mountain, apsarases wandered everywhere. The whole region was filled with a calm, soothing resonance produced by many kinds of living creatures. There were thousands of kinnaras, along with bees, madagu-birds, variegated wagtails, and partridges; hundreds of peacocks of diverse colors, adorned with sweet voices; flocks of royal swans; and dark cuckoos—all spreading a gentle, melodious sound.”

मदगुभिःby/with madgu-birds
मदगुभिः:
Karana
TypeNoun
Rootमदगु
FormMasculine, Instrumental, Plural
खञ्जरीटैःby/with wagtails (khajjarīta birds)
खञ्जरीटैः:
Karana
TypeNoun
Rootखञ्जरीट
FormMasculine, Instrumental, Plural
and
:
TypeIndeclinable
Root
विचित्रैःvariegated, diverse
विचित्रैः:
Karana
TypeAdjective
Rootविचित्र
FormMasculine/Neuter, Instrumental, Plural
जीवजीवकैःby/with jīvajīvaka-birds
जीवजीवकैः:
Karana
TypeNoun
Rootजीवजीवक
FormMasculine, Instrumental, Plural

भीष्म उवाच

B
Bhishma
M
mountain
A
apsarases
K
kinnaras
B
bees (bhramara)
M
madagu-birds
K
khañjarīṭa (wagtails)
C
cakora (partridges)
P
peacocks (mayūra)
R
royal swans (rājahaṃsa)
C
cuckoos (kokila)

Educational Q&A

The verse foregrounds śānti (tranquility) through an image of harmonious nature and celestial presence, suggesting that a calm environment and gentle sounds support contemplation and the settling of the mind—an important backdrop for ethical reflection in the Śānti Parva.

Bhishma is describing a mountain region teeming with apsarases and many kinds of beings and birds. Their collective, sweet, peaceful sounds pervade the area, creating an atmosphere of serenity.