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Shloka 25

अध्याय ३२३ — श्वेतद्वीपगमनम्, यज्ञभाग-विवादः, एकान्तिभक्त्या नारायणदर्शन-नियमः (Śvetadvīpa Journey; Dispute over Sacrificial Share; Rule of Nārāyaṇa-vision through Single-minded Devotion)

मुझे तो यह वृत्तान्त भगवान्‌ मार्कण्डेयजीने सुनाया था। वे मुझे सदा ही देवताओंके चरित्र सुनाया करते थे ।। एता अद्यापि कृष्णस्य तपसा तेन दीपिता: । अग्निवर्णा जटास्तात प्रकाशन्ते महात्मन:

etā adyāpi kṛṣṇasya tapasā tena dīpitāḥ | agnivarṇā jaṭās tāta prakāśante mahātmanaḥ ||

Bhishma said: This account was told to me by the venerable Mārkaṇḍeya, who would always recount to me the deeds of the gods. Even today, O dear one, the matted locks of the great-souled Krishna—kindled and made radiant by his austerity—shine forth with the hue of fire.

एताḥthese
एताḥ:
Karta
TypePronoun
Rootएतद्
FormFeminine, Nominative, Plural
अद्यापिeven today / still
अद्यापि:
TypeIndeclinable
Rootअद्यापि
कृष्णस्यof Krishna
कृष्णस्य:
Sambandha
TypeNoun
Rootकृष्ण
FormMasculine, Genitive, Singular
तपसाby austerity
तपसा:
Karana
TypeNoun
Rootतपस्
FormNeuter, Instrumental, Singular
तेनby that / by him
तेन:
Karana
TypePronoun
Rootतद्
FormMasculine/Neuter, Instrumental, Singular
दीपिताḥkindled, inflamed
दीपिताḥ:
Karta
TypeAdjective
Rootदीपित
FormFeminine, Nominative, Plural
अग्निवर्णाḥfire-colored
अग्निवर्णाḥ:
Karta
TypeAdjective
Rootअग्निवर्ण
FormFeminine, Nominative, Plural
जटाḥmatted locks (of hair)
जटाḥ:
Karta
TypeNoun
Rootजटा
FormFeminine, Nominative, Plural
तातO dear one / O son
तात:
TypeNoun
Rootतात
FormMasculine, Vocative, Singular
प्रकाशन्तेshine forth, appear radiant
प्रकाशन्ते:
TypeVerb
Rootप्रकाश्
FormPresent, Indicative, Third, Plural, Ātmanepada
महात्मनःof the great-souled one
महात्मनः:
Sambandha
TypeNoun
Rootमहात्मन्
FormMasculine, Genitive, Singular

भीष्म उवाच

B
Bhishma
K
Krishna
J
jaṭā (matted locks)

Educational Q&A

Tapas (disciplined austerity) is portrayed as a transformative ethical-spiritual force: it purifies, empowers, and confers a lasting radiance that signifies inner mastery and dharmic authority.

Bhishma describes Krishna as a great-souled figure whose matted locks still shine like fire because they were ‘kindled’ by his austerities—an image used to underscore Krishna’s spiritual potency and the enduring effects of tapas.