Shloka 44
मृत्यु-काल-प्रबोधनम् (Instruction on Mortality, Time, and Truth) — Mahābhārata, Śānti-parva 169
चक्राड्रभारस्कन्धं तं धनुष्पाणिं धृतायुधम् । रुधिरेणावसिक्ताड़ुं गृहद्वारमुपागतम्,ब्राह्मणने देखा, गौतमके कंधेपर मारे गये हंसकी लाश है, हाथमें धनुष और बाण है, सारा शरीर रक्तसे सींच उठा है, घरके दरवाजेपर आया हुआ गौतम नरभक्षी राक्षसके समान जान पड़ता है; और ब्राह्मणत्वसे भ्रष्ट हो चुका है। उसे इस अवस्थामें घरपर आया देख ब्राह्मणने पहचान लिया। पहचानकर वे बड़े लज्जित हुए और उससे इस प्रकार बोले --
cakrādrabhāraskandhaṁ taṁ dhanuṣpāṇiṁ dhṛtāyudham | rudhireṇāvasiktāṅgaṁ gṛhadvāram upāgatam ||
Bhīṣma said: “He came to the very door of the house—his shoulder burdened as though with a wheel and a mountain, bow in hand and weapons grasped, his limbs drenched in blood. In that condition he looked like a man-eating rākṣasa, and as one who had fallen away from the status and conduct of a brāhmaṇa. Seeing him arrive at the house in such a state, the brāhmaṇa recognized him; and, recognizing him, they were overcome with shame and addressed him thus.”
भीष्म उवाच
Educational Q&A
The verse underscores how outward acts of violence and weapon-bearing—especially when accompanied by bloodshed—can signify a collapse of brāhmaṇa-appropriate conduct, provoking social and inner shame; it frames dharma not merely as birth-status but as lived restraint and ethical comportment.
A man arrives at a brāhmaṇa’s house door carrying weapons, bow in hand, and drenched in blood, appearing terrifying like a rākṣasa. The brāhmaṇa recognizes him, feels deep embarrassment, and then speaks to him—setting up a moral confrontation about his fallen condition.