Shloka 353
सोमस्याभिषवं कृत्वा चकार विपुलं ध्वनिम् । तत्पश्चात् उन महातपस्वी त्रितने उस फैली हुई लतामें सोमकी भावना करके मन-ही- मन ऋग्ू, यजु और सामका चिन्तन किया। नरेश्वर! इसके बाद कंकड़ या बालू-कणोंमें सिल और लोढ़ेकी भावना करके उसपर पीसकर लतासे सोमरस निकाला। फिर जलमें घीका संकल्प करके उन्होंने देवताओंके भाग नियत किये और सोमरस तैयार करके उसकी आहुति देते हुए वेद-मन्त्रोंकी गम्भीर ध्वनि की
somasya abhiṣavaṃ kṛtvā cakāra vipulaṃ dhvanim | tatpaścāt sa mahātapāsvī tṛṇe latāyāṃ ca somabhāvanāṃ kṛtvā manasā ṛg-yajuḥ-sāmnām anusmaraṇaṃ cakāra | nareśvara! tataḥ śarkarā-vālukā-kaṇeṣu śilā-musalayor bhāvanāṃ kṛtvā tatra piṣṭvā latāto somarasaṃ niṣpīḍya niravahat | paścāj jale ghṛtasaṅkalpaṃ kṛtvā devatānāṃ bhāgān niyatya somarasaṃ saṃskṛtya tasya āhutīr juhvānaḥ gambhīrayā vedamantradhvanyā nādam akarot ||
Vaiśampāyana said: Having performed the pressing of Soma, he raised a mighty sound. Thereafter, that great ascetic—mentally envisioning Soma within the grass and the spreading creeper—contemplated within himself the hymns of the Ṛg, Yajus, and Sāman. O king, then, imagining a grinding-stone and pestle in mere pebbles and grains of sand, he ground and pressed the creeper to draw out the Soma-juice. Next, taking water to be ghee by an act of sacred resolve, he assigned the portions due to the gods; and having prepared the Soma and offered it into the fire, he made the deep resonance of Vedic mantras resound.
वैशम्पायन उवाच
Educational Q&A
The verse emphasizes that ritual dharma depends not only on external resources but on disciplined intention (saṅkalpa), correct mantra-remembrance, and ascetic purity; through inner resolve, the sacrificer maintains cosmic order by giving the gods their due.
A great ascetic performs a Soma rite: he envisions Soma in grass and creeper, recalls Ṛg-Yajus-Sāman, symbolically treats sand and pebbles as grinding tools to extract Soma-juice, assigns the gods’ portions, and offers oblations while chanting Vedic mantras with a deep resonant sound.